BEAUTIFUL MEMORIES

Beautiful Memories is a 1976 vinyl album recorded by Bing Crosby for United Artists Records, and the last album of new material to be released during his lifetime. Eight of the songs were recorded at Devonshire Sound Studios, Magnolia Boulevard, North Hollywood on October 19 and 29, 1976.[1] The orchestral accompaniment was recorded in London on September 10 and 11, 1976 and Crosby dubbed his voice in Los Angeles. Of the other four songs on the LP, one had been recorded on February 26, 1975. The title song was dubbed by Crosby on November 5, 1976, also at United Western Studios, using the track recorded in London. Crosby was accompanied by Pete Moore and his Orchestra throughout the album and by The Johnny Evans Singers on certain tracks

The UK magazine The Gramophone reviewed the album saying: "Sadness inevitably surrounds “Beautiful Memories” by the late Bing Crosby, which must be one of the last LPs we will enjoy by this splendid gentleman with fifty years of consummate artistry to his credit, although we are advised of at least one more in the pipeline from Polydor. It is not his best album by any means, but Crosby never made a bad one to my knowledge, and there is much of value and interest in his versions of mostly recent pop ballads such as “A Little Love and Understanding,” “My Resistance Is Low,” “When a Child Is Born,” and “The Woman on Your Arm.” It is certainly a very adequate valedictory souvenir from a singer who has left beautiful memories for a multitude around the world.

Track listing:

SIDE ONE:
1. "Beautiful Memories" Roger Cook, Herbie Flowers 3:46
2. "A Little Love and Understanding" Gilbert Bécaud, Marcel Stellman 3:17
3. "My Resistance Is Low" Hoagy Carmichael, Harold Adamson 2:18
4. "Children" Cyril Ornadel, Hal Shaper 3:52
5. "Déjà Vu (As Tho’ You Never Went Away)" Pete Moore, Ken Barnes 3:12
6. "When a Child Is Born" Ciro Dammicco, Fred Jay 3:22


SIDE TWO:
7. "The More I See You" Harry Warren, Mack Gordon 2:26
8. "What I Did for Love" Marvin Hamlisch, Edward Kleban 3:22
9. "Yours Sincerely" Richard Rodgers, Lorenz Hart 2:43
10. "We've Only Just Begun" Roger Nichols, Paul Williams 3:55
11. "The Woman on Your Arm" Randy Edelman 3:53
12. "The Only Way to Go" Marvin Hamlisch, Tim Rice 2:56

THE BELLS OF ST. MARYS AND THE POSTWAR AUDIENCE

The Bells Of St. Marys was more than a typical 1940s feel good film. It marked one of the first films in harrowing post-war era. Harrowing is a word that barely scratches the surface of the emotional abyss that is war. The uncertainty, the fear, and the profound loss cast long shadows over the human experience. At the end of it, there is often yet another difficult journey: rebuilding. It can be tumultuous. 

In the wake of World War II, as the world struggled to rebuild and heal, Leo McCarey's The Bells of St. Mary's in 1945 not only became the highest-grossing movie of its time but also offered solace and hope to a weary audience. This film captures the essence of wartime struggle, not through the lens of battlefields and violence, but by delving deep into the hearts and minds of its characters. The film's main characters, Sister Benedict (played by Ingrid Bergman) and Father O'Malley (portrayed by Bing Crosby) are determined to achieve their shared goal of saving a school in financial crisis in spite of their differences and despite a myriad of constraints they face.

The Bells of St. Mary's is a feel-good tear-jerker sequel to McCarey's 1944 film Going My Way, which was the highest-grossing film of the year and won seven Academy Awards, including Best Picture. In The Bells of St. Mary's, Bing Crosby reprises his role as Father O'Malley, a charismatic priest assigned to a struggling Catholic school, St. Mary's. There, he clashes with the school's traditional principal, Sister Mary Benedict. Father O'Malley's unconventional approach to leadership conflicts with Sister Benedict's strict way of instilling discipline in the students. For example, when Father O'Malley finds two students fighting, he praises the one who threw the best punches, declaring him the winner. This move doesn't sit well with Sister Benedict, who had advised students against retaliation. Father O'Malley argues that boys should be prepared for the world, which they may have to face war in one day. Considering that this is immediately after World War II, it makes sense, even to the conservative Sister Benedict, who secretly trains the bullied boy on self-defense and encourages him to face bullies head-on.

78 years after its release, The Bells of St. Mary's retains its relevance. In an era marked by division and turmoil, the film's message of unity, understanding, and compassion is as vital as ever. It serves as a timeless lesson that, even in the face of adversity, individuals from diverse backgrounds as exemplified by Father O'Malley and Sister Benedict can come together to create positive change. The enduring popularity of the film attests to its ability to transcend time and inspire new generations...

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