Crosby recorded the song again for his 1954
album Bing: A Musical Autobiography.
The other songs fit well into the Bing mold of songs with the optimistic “One
Two Button Your Shoe” and the romantic ballads: “So Do I” and “Let’s Call A
Heart A Heart”. Next to the title song, my favorite number from the film was
the Louis Armstrong solo “Skeletons In The Closet”. Do yourself a favor and
listen to Armstrong’s Decca recording of the song. It is pure audio gold!
Looking
back at the reviews from 1936, I am surprised they were not more positive. Variety wrote:
"Pennies from Heaven may qualify
as a fair grosser because of Crosby’s name, but basically it’s a weak picture
with a story that has little movement and only a scattered few mild giggles.
It’s spread pretty thin over 80 minutes, despite a good tuneful score which
should be no handicap… Film won’t advance Crosby although Crosby may overcome
its faults to some extent. Best individual impression is by Louis Armstrong,
Negro cornetist and hi-de-ho expert. Not as an eccentric musician, but as a
Negro comedian he suggests possibilities. He toots his solo horn to a nice
individual score, plus his band chores. Crosby has a couple of songs that will
be reprised into fair popularity..."
Despite
what the critics thought of the film, the movie holds a special place in my heart.
A generation divided my Grandfather and I, but when he played me Bing Crosby music,
that age gap disappeared, and my Grandfather was one of the best friends I ever
had. He instilled in me a love of Bing Crosby, and I can still remember where
the scratches were on his Decca 78 of “Pennies From Heaven”. Sitting and
watching the film with him in the early 1990s was a simple memory but one of my
favorite times. Watching 1936’s Pennies From Heaven not only displays Bing
Crosby rise to the top of his performing ability, but it brings back fond
memories of my Grandfather. I consider a movie that does that 80 plus years
after it was released to be a great movie indeed!
MY RATING: 10 OUT OF 10
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