Showing posts with label Dorothy Lamour. Show all posts
Showing posts with label Dorothy Lamour. Show all posts

Friday, July 21, 2023

THE ROAD TO RIO: A 1948 REVIEW

Here is a review of the latest Road trip at the time - The Road To Rio. This was published in the NY Times on February 19, 1948...

With Bing Crosby and Bob Hope on the tramp again in "Road to Rio," recklessly scattering jokes and rescuing perennial girl friend Dorothy Lamour from dangerous hypnotic trances, there's fun to be had at the Paramount. Maybe this is not the funniest picture ever made; maybe it is not even quite as rewarding as some of those earlier journeys, but there are patches in this crazy quilt that are as good and, perhaps, even better than anything the boys have done before. 

They are traversing more of a rollercoaster highway than usual this time and so there are some tedious uphill pulls when the huffing and puffing is excessive and the results negligible. However, when they reach the top "Road to Rio" is irresistible.Hope reluctantly doing a highwire bicycle act and wrecking a carnival in the process, or being unceremoniously hung up as a side of ham in a ship's refrigerator, or blowing musical bubbles out of a trumpet in a Rio de Janeiro night club may sound silly in cold print, but it's the kind of stuff that gets laughs on the screen. 

And, naturally, Crosby, the smoothest straight man in the business today, is in there all the time getting situations started and feeding jokes to his pal when he doesn't actually steal the play by adding a snapper to a snapper.This mad caper is climaxed by a wild round of excitement at an ultra-lavish wedding party, when the boys bravely move in to rescue the dazed Miss Lamour from being duped into marriage by swindlers posing as friends. If this synopsis sounds sketchy, it's only because the story doesn't matter anyway. For the script merely serves as a means for getting a pair of impecunious musicians driven out of one state after another by irate husbands and boy friends until they are cornered, forced to stowaway on a Rio bound steamer and meet up with a beautiful senorita and her problems. All that matters really is that "Road to Rio" is fairly well loaded with laughs...



Saturday, July 9, 2022

BING ON FILM: ROAD TO UTOPIA - PART TWO

The movie was finally released on March 22, 1946, and Road to Utopia was a big success. I haven’t watched the movie in about five years so it was nice to have a reason to view the film again. Bing Crosby, Bob Hope, and Dorothy Lamour were at the top of their careers when this movie was filmed. 

An oddity in the film that I never understood was the inclusion of Robert Benchley in the film. Benchley was a humorist who became a film actor. He was added to Road to Utopia as a “narrator” in the film, but he adds very little to the movie. Benchley, who suffered from cirrhosis of the liver, died on November 21, 1945 at the age of 56. He died before the movie premiered. Benchley’s appearance is one of my only real complaints of the film.

The chemistry of Bing, Bob, and Dorothy was amazing, and the team looked like they were having fun but that was not always the case. There is an urban legend that Bob Hope recalled that during the scene where he and Bing Crosby were bedding down beside their cabin in the Klondike, they were to be joined by a bear. They were told that the bear was tame and its trainer would always be nearby. Against their better judgment they went along with it. However, when the cameras started filming, the bear ambled over to Hope and, instead of lying down next to him like it was supposed to, the animal sniffed him and started growling. Hope and Crosby immediately stopped the scene and refused to work with the bear any longer, despite the trainer's protestations that it was tame and harmless. The next day the bear attacked its trainer and tore his arm off. In another scene, Bing and Bob were supposed to be climbing an ice-covered cliff when the rope broke, and the safety mattress was out of place. Bob fell on Bing who suffered some back problems because of it.

People went to see Road to Utopia for the laughs and the fun, but Bing’s vocalizing was also a big draw. The music was written by Johnny Burke and Jimmy Van Heusen, who wrote most of Bing’s film music during this time. Like I said earlier, it is a shame that Bing and Bob never recorded the song “Goodtime Charlie” commercially, but they did record another song from the film that was one of their most famous songs – “Put It There, Pal”. Dorothy sang two great songs “Personality” and “Would You” in the film, both of which Bing recorded for Decca. Bing also got the opportunity to sing a philosophical number “It’s Anybody Spring”, and a traditional love song for the movie “Welcome to My Dream”. “Welcome To My Dream” is not very well remembered today, but I think it’s one of the most beautiful love songs Bing sang in a Road movie. Bing’s version of “Personality” was the biggest hit of the film. Recorded with Eddie Condon’s Orchestra, Bing turned it into a great jazz song, and it rose to number #9 on the American charts in 1946.

The critics really loved Road to Utopia too. Bosley Crowther of The New York Times wrote: "Not since Charlie Chaplin was prospecting for gold in a Hollywood-made Alaska many long years ago has so much howling humor been swirled with so much artificial snow as it is in “Road to Utopia,” which came to the Paramount yesterday." Variety also wrote: "The highly successful Crosby-Hope-Lamour “Road” series under the Paramount banner comes to attention once again in “Road to Utopia,” a zany laugh-getter which digresses somewhat from pattern by gently kidding the picture business and throwing in unique little touches, all with a view to tickling the risibilities. Very big box office results assured.” Road to Utopia was one of the top ten grossing movies of 1946, and it was Bing’s highest grossing movie that year next to The Bells of St. Mary’s.

The movie does not offer an exotic location like Singapore or Zanzibar, but it is such a fun movie. Even if you are not a fan of classic movies, you can enjoy and appreciate the comedy and the fun that the team had. Bing Crosby was in great voice for the film, Bob Hope’s comedic timing was perfect, and Dorothy Lamour looked beautiful as always. What else could the audience ask for! I recommend taking a road trip and going on a holiday with Road to Utopia. Send me a postcard, and you will not be disappointed!

MY RATING: 9 out of 10




Wednesday, June 29, 2022

BING ON FILM: ROAD TO UTOPIA - PART ONE

I have always loved the Road movies, so I figured I would review my favorite film of the series – 1946’s Road to Utopia. The pairing of Bing Crosby and Bob Hope was comedy gold, although I have to admit that I have never cared for Bob Hope much. I liked Bob in the Road movies and his more dramatic roles (especially 1959’s Beau James), but other than that I never cared much for his movies. The duo of Bing and Bob definitely had fun in these movies, and Road to Utopia, the fourth film in the series, was no different. Filmed between December of 1943 and March of 1944, the film was not released until 1946 because the studio did not want the movie to overshadow Bing’s role in Going My Way, which the studio was pushing for him to get an acting nomination for at the Academy Awards. Of course, as we all know Bing got the nomination and took home the best actor award.

The plot of the movie, like most of the other Road movies did not seem to matter much. In my opinion the plot of Road to Utopia was the most complicated of any of the Road movies. The opening of the movie finds Bob and his wife (Dorothy Lamour) now elderly. There’s a knock on their door, and in walks Bing and the trio reminisce about their adventure in the Klondike. In the next scene we flashback to the turn of the twentieth century. Bing and Bob are vaudeville performers and minor scam artists. They open with a rousing song “Goodtime Charlie” that I wish they would have recorded commercially. They try to scam their audience at a performance, but they are discovered and try to run away to Alaska. They stow away on a ship going to Alaska, and while on the boat they bump into two real life murdering criminals called Sperry and McGurk. Bing and Bob manage to tie up the real criminals, and they steal their identity not fully knowing who they came across. Bing and Bob stole Sperry and McGurk’s jackets to look more tough as well. Unknowingly to the boys, the one jacket has a copy of a map which was the directions to a gold mine worth millions.

Arriving in Alaska, the boys were amazing that everyone was afraid of them. At a local saloon they meet up with Dorothy Lamour and are instantly smitten. Dorothy, thinking the boys are Sperry and McGurk tries to seduce both of them to get the map off of them. Bing and Bob discover they have the map, and they decide to split the map in two with each of them getting a piece one will not be able to scam the other. Dorothy follows them, and the boys admit to Dorothy at this point that they are not Sperry and McGurk. Dorothy realizes how much she loves Bing, but she still steals the map for the owner of the saloon where she sang. Bing and Bob are finally confronted by the real Sperry and McGurk, who they escape from again, but at this point the boys realize that Dorothy stole the map.

Bing and Bob manage to escape from the real killers and go back to town to find Dorothy. They try to readopt their Sperry and McGurk personas but discover that they are likely to be hanged for their past crimes. The boys scare off the posse who wants to hang them with a stick of dynamite and rescue Dorothy. Bing and Bob leave the dynamite lit just as the real Sperry and McGurk arrive, and the explosion kills the real criminals. Bing, Bob, and Dorothy escape, but the ice splits on the frozen tundra leaving Bob and Dorothy on one side, and Bing on the other side with the mob quickly approaching. Bing throws Bob his portion of the map, and Bing tells Bob to take care of Dorothy as Bing turns around to face the mob. The movie scene then changes to the present, with the aged Bing telling Bob and Dorothy how he escaped the mob. Bing is surprised to hear that Bob and Dorothy have a son. The son walks down the stairs and looks exactly like Bing. At this point Bob looked into the camera and said, “We adopted him.” By far, this is one of the greatest endings of any Road movie, and I am actually surprised this got by the censors....

TO BE CONTINUED...


Monday, March 22, 2021

GUEST REVIEWER: THE ROAD TO RIO

Here is the return of Bruce Kogan as a guest review for one of the best Road movies ever released...

Another journey with Bob, Bing, and Dotty, this time the boys are escaping the law and a couple of shotgun wielding fathers in Bing's case. They stowaway on a boat bound for Rio De Janeiro and they meet damsel in distress Dotty with her "aunt" Gale Sondergaard and her two henchmen Frank Faylen and Joseph Vitale. Dragon lady Gale has been hypnotizing Dottie to force her into a marriage so that her inheritance can be swindled.


The Road pictures always had a usual pattern of songs. A ballad for Crosby, a ballad for Lamour, and some patter songs for Crosby and Hope. Crosby sings one of his nicest ballads with But Beautiful. Hope and Crosby do Appalachicola, Fla and Dottie does an unforgettable version of Experience accompanied by Hope playing a bubble blowing trumpet.

Bing Crosby's most frequent singing partners were the Andrews Sisters on record. They did enough material to fill more than three of those old fashioned vinyl LPs. But their only appearance in a movie with Bing is here and they sing You Don't Have To Know The Language with him as an extra treat.


See it and figure out for yourself what was in those "papers" that the world was better off in blissful ignorance of...

BRUCE's RATING: 8 out of 10
MY RATING: 10 out of 10



Wednesday, December 23, 2020

BING AND SCOTCH TAPE

Tis the season for Christmas - and Bing! Here is a cute ad featuring Bing, Bob Hope, and Dorothy Lamour as they were promoting 1952's The Road To Bali. They are selling scotch tape - just in time for the holidays!




 

Monday, September 19, 2016

PHOTOS OF THE DAY: BING IN THE 1960S

The 1960s was a decade of change in Bing Crosby's life. For three decades, Bing was the biggest star in the history of entertainment. Now with the dawn of rock 'n' roll, Bing was suddenly a relic of a bygone era. Meanwhile, Bing had a younger family so he moved away from the front of the entertainment world to raise this new second family. However, here are some Bing photos from the 1960s, which showed Bing at the age of 57-66...





Bing dressed in drag for HIGH TIME (1960)


With golfer ARNOLD PALMER




With Dorothy Lamour and Bob Hope from the last Road movie - THE ROAD TO HONG KONG

With Maurice Chevalier on Bing's TV special

Monday, March 21, 2016

ROAD TO ZANZIBAR: A 1941 REVIEW

Here is what the NY Times thought of the second Road movie, The Road To Zanzibar. This was written by Bosley Crowther ans was published on April 10, 1941...

Pity the poor motion picture which ever again sets forth on a perilous (?) African safari, now that Bing Crosby and Bob Hope have traversed the course! For the cheerful report this morning is that the Messrs. Crosby and Hope, with an able left-handed assist from a denatured Dorothy Lamour, have thoroughly ruined the Dark Continent for any future cinematic pursuits. Never again will be hear those jungle drums throbbing menacingly but what we envision Bing and Bob beating a gleeful tattoo upon them. And never again will we behold a file of natives snaking solemnly through the trees without seeing in our mind's eye the gangling Crosby-Hope expedition as it ambles in and along the Paramount's "Road to Zanzibar," which arrived at that house yesterday. Yessir, the heart of darkest Africa has been pierced by a couple of wags.


Or perhaps we should really say it is pierced by a steady barrage of gags, for the quantity and quality of these account for the principal joy in this footloose film. Maybe Director Victor Schertzinger had a map of sorts when he started out, but the travelers on the "Road to Zanzibar" make little use of it. Taking as a mere point of departure the assumption that Bing and Bob are a couple of carnival performers cast adrift in a land far from home, they and the picture seem to follow the line of least resistance and most fun. Somewhere along the way they pick up Una Merkel and Miss Lamour, also a couple of shysters whose "pitch" is selling Miss Lamour as a slave. And together the four set out on a tour of the hinterland, running afoul of romance and trouble, which are indistinguishable. The limitations of time rather than ingenuity finally call a halt.


And all along things happen with the most casual and refreshing spontaneity. Miss Lamour and Bing go boat-riding on a jungle pond. They laughingly remark how motion pictures put an orchestra in the middle of the woods when occasion calls for a song. An orchestra forthwith plays, and Bing goes into his act. Or again, when a group of painted cannibals begin debating the gastronomic potentialities of Bing and Bob, the chattered dialogue is translated by amusing subtitles. And both of the boys are ever ready with a fast quip to keep the farce going.

Needless to say, Mr. Crosby and Mr. Hope are most, if not all, of the show—with a slight edge in favor of the latter, in case any one wants to know. Miss Lamour, who is passingly amusing in her frequent attempts to be, assists in the complications and sings a couple of songs. And Miss Merkel and Eric Blore do well in minor roles. Farce of this sort very seldom comes off with complete effect, but this time it does, and we promise that there's fun on the "Road to Zanzibar." This time, as Mr. Hope puts it in one of his pungent phrases, they're cooking with gas...

Monday, February 22, 2016

GUEST REVIEWER: THE ROAD TO HONG KONG

Bing Crosby guru is back with another one of his fine reviews. This time up he reviews the last "Road" movie that Bing and Bob Hope made - The Road To Hong Kong (1961). The Road was getting a little beat up by the time that this movie was made...

This turned out to be the end of a great cycle of comedy films. Two mega-individual stars, pooling their talents to come up with comedy classics.

Since this was the only Road picture not done on the Paramount lot it has a whole different feel to it and not for the better. Unfortunately the decision was made to dump Dorothy Lamour from her traditional role as sex object for Crosby and Hope to pant over. Joan Collins was years away from her career role as Alexis Carrington. Here she's just not into the same spirit of things that Dotty was. Dotty was brought in and did one of her numbers Warmer Than A Whisper towards the end of the film.

It's been pointed out that 29 year old Collins looked ridiculous falling for 58 year old Crosby. I can see the case for it, but I would remind everyone that four years earlier, Bing in fact took as his second wife, a woman with just such an age difference.

One of the inside jokes of the film was that Hope's name in the film was Chester Babcock which is the birth name of Jimmy Van Heusen who wrote so many film scores for Crosby. Van Heusen and Sammy Cahn contributed a ballad for Bing dueted with Collins called Let's Not Be Sensible. And Bob and Bing get two patter numbers, Teamwork and the title tune. There's a lot less music in this outing and that's not for the better of the film.


Still the film has some good comedic moments the best of which involve a hilarious scene in a Hindu doctor's office with an unbilled Peter Sellers as the doctor. The doctor advises Hope to take a cure for amnesia at a hidden lamasery, a la Shangri La, where they find David Niven committing Lady Chatterley's Lover to memory. And at the end when the boys and Collins arrive on another planet in a surreal ending they find Frank Sinatra and Dean Martin waiting for them.

Among the rest of the supporting cast Robert Morley as a mad scientist and chief villain and Felix Aylmer as the Grand Lama stand out.

Before Crosby died in 1977, he Hope and Lamour and signed to do still another film entitled Road to the Fountain of Youth. I wish it had been done. Road to Hong Kong is all right, but not up to the standards of those wacky days at Paramount...

BRUCE'S RATING:6 OUT OF 10 STARS
MY RATING: 5 OUT OF 10 STARS

Tuesday, September 22, 2015

PAST OBITS: DOROTHY LAMOUR

Bing Crosby's most frequent movie co-star Dorothy Lamour died on this day 19 years ago. It is hard to believe it has been so long...


Dorothy Lamour, 81, Sultry Sidekick in Road Films, Dies
By RICHARD SEVERO
Published: September 23, 1996

Dorothy Lamour, whose sarong-draped charms adorned many films of the late 1930's and 40's, especially the ''road'' pictures she made with Bing Crosby and Bob Hope, died yesterday at her home in North Hollywood, Calif. She was 81 years old.

Miss Lamour, a comely brunette who was also a favorite pinup of thousands of G.I.'s during World War II, was in her heyday at a time when the major studios believed that certain actresses needed something of a signature. Veronica Lake peered out from behind the lock of hair that invariably hid part of her face; Miss Lamour had her trademark sarong. She wore that clinging garment in a series of films, from the 1936 ''Jungle Princess'' through such 1940's comedies as ''Road to Singapore'' and ''Road to Morocco.''

Miss Lamour appeared in seven of the road pictures, in which she was always the exotic but demure girl invariably won by a crooning Mr. Crosby at the expense of a more comedic Mr. Hope. On occasion, Miss Lamour would join Mr. Crosby in a ballad, such as ''Moonlight Becomes You'' or ''Constantly.'' By the late 1940's, her salary rose to a top of around $450,000 a movie.


But she had no illusions about either her acting or singing ability. Asked by an interviewer if she had ever studied acting or singing, she replied, ''No, can't you tell?''

During World War II, Miss Lamour was also known as ''the bond bombshell'' because of the volunteer work she did selling United States War Bonds. In tours around the country, she was credited with selling some $300 million of the bonds. So effective was she as a saleswoman that the Government put a private railroad car at her disposal when she decided to go on a bond tour.

She received a belated citation for her bond work from the Treasury in 1965, at which time William H. Neal, at that time the director of the United States Savings Bond Division, credited her with being the first star to offer her services to sell war bonds and the originator of the successful Government plan for payroll deductions for those who wanted part of their salaries set aside for war bond purchases.

Her contributions to the war effort did not stop there. She was frequently seen at the Hollywood Canteen, the nightclub for servicemen founded by Bette Davis and John Garfield, where she spent many hours talking to and dancing with G.I.'s.

Miss Lamour was born on Dec. 10, 1914, in New Orleans as Mary Leta Dorothy Slaton, the daughter of John Watson Slaton and the former Carmen Louise La Porte. Her father was a waiter. Her mother, who soon divorced her father, worked as a waitress.

Young Dorothy never finished high school. The family finances were so desperate that when she was 15, she forged her mother's name to a document that authorized her to drop out of school.

Later, however, she did go to a secretarial school that did not require her to have a high school diploma. She regarded herself as an excellent typist and usually typed her own letters, even after she became quite wealthy.


After she won the 1931 Miss New Orleans beauty contest, she and her mother moved to Chicago, where Miss Lamour earned $17 a week as an elevator operator for the Marshall Field department store on State Street. She had no training as a singer but was persuaded by a friend to try out for a female vocalist's spot with Herbie Kay, a band leader who had a national radio show called ''The Yeast Foamers,'' apparently because it was sponsored by Fleischmann's Yeast.

She left Mr. Kay's group and moved to Manhattan, where Rudy Vallee, then a popular singer, helped her get a singing job at a popular night club, El Morocco. She later worked at 1 Fifth Avenue, a cabaret where she met Louis B. Mayer, the Hollywood studio chief. It was Mayer who eventually arranged for her to have a screen test, which led to her Paramount contract in 1935.


When she was at her zenith as a star, her fans suggested that an agent had adopted her last name from the French word for ''love'' as a box-office ploy. In fact, the name was close to one in the family; Miss Lamour adapted it herself from Lambour, which was the last name of her stepfather, Clarence, to whom her mother was briefly married.

Miss Lamour's more than 50 films included ''Typhoon'' (1939), ''Johnny Apollo'' (1940), ''The Fleet's In'' (1941), ''Star-Spangled Rhythm'' (1942), ''Duffy's Tavern'' (1945), ''Here Comes the Groom'' (1951), ''Donovan's Reef'' (1962) and ''Pajama Party'' (1964).


The seven movies in which she appeared with Bing Crosby and Bob Hope were ''Road to Singapore (1940), ''Road to Zanzibar'' (1941), ''Road to Morocco'' (1942), ''Road to Utopia'' (1946), ''Road to Rio'' (1948) ''Road to Bali'' (1953) and ''Road to Hong Kong'' (1962). Although Miss Lamour worked closely with Mr. Hope and Crosby for many years, she said that she was not close to them personally.

After she retired from the movies, Miss Lamour remained active. In 1968, she starred in the national road show production of ''Hello, Dolly!'' And in 1969, she was named to the Civic Center Commission of Baltimore, where she then lived. She was active in various causes there for many years. In the 1980's, she worked the cabaret circuit, where she sang many of the songs she had sung in her movies.

In the 1987 film ''Creepshow 2,'' she played a sloppily dressed housewife who gets murdered. ''Well, at my age you can't lean against a palm tree and sing 'Moon of Monakoora,''' she said. ''People would look at that and say, 'What is she trying to do?' ''

While ''Creepshow 2'' was her only film role in two decades, she was frequently seen on television, doing guest shots such shows as ''The Love Boat,'' ''Murder, She Wrote'' and, naturally, a few Bob Hope specials.

She is survived by her two sons, John Ridgley Howard and Tom Howard; a stepson, William Ross Howard 4th; a grandson, and a granddaughter...

Monday, February 9, 2015

MOVIE REVIEW: THE ROAD TO BALI

I am not sure the name of the channel, but now that I switched cable providers, I get a nostalgia channel that shows some old movies and television shows. A few weeks ago they aired “The Colgate Comedy Hour” with Dean Martin and Jerry Lewis, and the other night while going to bed I got to watch The Road to Bali again. The Road to Bali is a 1952 comedy directed by Hal Walker and starring Bing Crosby, Bob Hope, and Dorothy Lamour. Released by Paramount Pictures on November 1, 1952, the film is the sixth of the seven Road to … movies. It was the only such movie filmed in Technicolor and was the first to feature surprise cameo appearances from other well-known stars of the day.

George (Bing Crosby) and Harold (Bob Hope), American song-and-dance men performing in Melbourne, Australia, leave in a hurry to avoid various marriage proposals. They end up in Darwin, where they take jobs as pearl divers for a prince. They are taken by boat to an idyllic island on the way to Bali, Indonesia. They vie for the favours of exotic (and half-Scottish) Princess Lala (Dorothy Lamour), a cousin of the Prince (Murvyn Vye). A hazardous dive produces a chest of priceless jewels, which the Prince plans to claim as his own.

After escaping from the Prince and his henchmen, the three are shipwrecked and washed up on another island. Lala is now in love with both of the boys and can't decide which to choose. However, once the natives find them, she learns that in their society, a woman may take multiple husbands, and declares she will marry them both. While the boys are prepared for the ceremony, both thinking the other man lost, plans are changed. She's being unwillingly wed to the already much-married King (Leon Askin), while the boys end up married to each other.

Displeased with the arrangement, a volcano god initiates a massive eruption. After fleeing, the three end up on yet another beach where Lala chooses George over Harold. An undaunted Harold conjures up Jane Russell from a basket by playing a flute. Alas, she, too, rejects Harold, which means George walks off with both Lala and Jane. A lonesome Harold is left on the beach, demanding that the film shouldn't finish and asking the audience to stick around to see what's going to happen next.



Among the celebrities who made token "gag" appearances in this film are bandleader Bob Crosby (Bing's brother), Humphrey Bogart, by way of a clip from The African Queen, Jerry Lewis, Dean Martin, and Jane Russell, as her character from the 1952 film Son of Paleface. The cameo by Martin and Lewis was part of a 'comedy trade' whereby they made an appearance in this movie while Hope and Crosby appeared in Martin and Lewis's Scared Stiff the following year. Martin and Lewis also made films for Paramount at the time.


The movie is in public domain due to it not being registered properly by Paramount, Bing Crosby Enterprises, and Bob Hope Productions. The three companies co-financed the film. As a result, there have been at least a dozen DVD releases from a variety of companies over the years. However, both CPT successor Sony Pictures Television and what is now Fremantle Media hold ancillary rights to this film, and official video releases have been issued under license from Fremantle Media (and its predecessor companies All-American Television and Pearson Television), the most recent DVD and HD-DVD releases coming from BCI Eclipse.

By the time this Road movie was made, Bing and Bob were beginning to look long in the tooth to play swinging bachelors. The storyline on the film was flimsy at best, but it provided the backdrop for the singing of Bing Crosby, the laughs of Bob Hope, and the beauty of Dorothy Lamour. Bing and Bob sang a lot of duets in the film, but the best of their vocal pairings was the opening number “Chicago Style”. Bing sings one love song “To See You Is to Love You”, which is not the best song, but Crosby was in fine voice. It is great to see the trio in technicolor, and despite the movies failings I have a soft spot for this film. The Road to Bali was the first of the Road movies I saw growing up. So if you want to have a fun trip, by all means join Bing and Bob for this Road trip. You will not be disappointed…

MY RATING: 7 OUT OF 10



Wednesday, May 22, 2013

PHOTOS OF THE DAY: BING AND DOROTHY LAMOUR

Bing starred with some of the truly most beautiful and talent women that Hollywood had to offer during his long movie career. One actress he starred with more than any other actress was Dorothy Lamour (1914-1996). Dotty joined Bing and Bob Hope on the road in seven "Road" movies, and she also starred with Bing in the costume biopic Dixie in 1943. Despite this, Lamour described Bing as being sort of cool towards her. However, at the time of Bing's death in 1977 they were all talking about an eighth possible Road movie, and Lamour narrated an excellent documentary on Crosby called "Remembering Bing" for PBS in 1987. Whatever their history was together, they made a lot of move magic as these pictures show...

The Road To Bali (1952)

clowning on the set of Road To Zanzibar (1941)


opening day of Del Mar - 1937


Road To Morrocco (1942)


The Road To Rio (1947)


one last road - The Road To Hong Kong (1961)

Friday, August 3, 2012

BING AND THE 1952 OLYMPIC TELETHON


1952 Olympic Telethon

Three old friends, Bing Crosby and Bob Hope at table and Dorothy Lamour at microphone, lead 14 1/2 hour Olympic Telethon that received more than $1,000,000 in pledges for the U.S. Olympic team.

A story in the June 23, 1952, Los Angeles Times reported:

Bing Crosby, Bob Hope and scores of other personalities went to bat for the 1952 U.S. Olympic team yesterday and smashed a sizzling home run – worth more than $1,000,000.

The two stars sang and joked their way through a 14 1/2 hour television marathon which was beamed to a nationwide audience estimated at 50,000,000. And their efforts – plus those of hundreds of other persons responsible for the show – raised the Olympic fund well over its goal.

Two television networks – NBC and CBS – carried the show by microwave to 68 stations in 48 cities from coast to coast. The telethon, staged at NBC studios in the El Capitan Theater, began at 8 p.m. Saturday and ended for the tired performers at 10:30 a.m. yesterday after switching to New York for appearances by several noted sports figures.

Crosby, who teamed with Hope to answer hundreds of telephone calls and introduce the more than 250 actors, dancers and singers on the program, was making his television debut on the record-breaking telethon.


He and Hope deserted the cameras for three or four hours early yesterday morning to freshen up but were back on the stage for the finale and exchange comments with the New York end of the show.

Avery Brundage, president of the U.S. Olympic committee, opened the program Saturday night with an announcement that the Olympic fund was still nearly $500,000 short of the money it needs to sent the nation’s athletes to Helsinki this summer. Fourteen and a half hours later, just three minutes before the show ended, contributions donated and pledges across the nation as a result of the program were announced as $1,000,020.

Officials said this figure, however, probably will be swelled by many thousands of dollars this week as mail contributions are received ….

Hope and Crosby, obviously weary after their long stint before the cameras, were still joking as they posed with Miss Lamour after the show.

“Well, Bob, ready for a fast 18 holes. Where’il it be? Lakeside or Rivera?” Crosby cracked.

The telethon was a big success — or so it seemed. A brief mention in the Hedda Hopper’s July 12, 1952, column reported that “Bing Crosby and Bob Hope are terribly upset because only a third of the money pledged on their Olympic telethon has been collected.”


But the $300,000 was enough to help get the U.S. team to Helsinki. According to a story at tvparty.com, once the telethon doubled the stated goal of $500,000, many donors refused to honor their pledges...

SOURCE

Sunday, January 22, 2012

MOVIE REVIEW: ROAD TO UTOPIA

Many classic comedies do not transfer to modern audiences. Society changes and what is deemed as funny to one generation may not be be considered humorous to another one. One classic comedy team that I think is still as funny today as it was yesterday is the team of Bing Crosby and Bob Hope. Over a twenty year period, Bing and Bob made seven "Road" movies, and what keeps their humor timeless is they were just having fun. It seemed like there was no script and their jokes were just made up right there. That was the joy of the Crosby-Hope movies.

Most of the Road movies consisted of Bing and Bob fighting over Dorothy Lamour on some remote island. However, I think the bets movie os the series is one that does not take place on an island at all - it takes place in Alaska of all places! Road to Utopia, filmed in 1943 but not released until 1946, is the fourth film of the "Road to …" series.

After the credits we see Sal and Chester Hooton, (Lamour and Hope) an old married couple. They are visited by an equally old Duke Johnson (Crosby) and the three reminisce about their previous adventure in the Klondike.

The film flashes back to the turn of the century. A man is murdered and two thugs, McGurk (Nestor Paiva) and Sperry (Robert Barrat), steal a map to a gold mine. The map and mine belonged to a man named Van Hoyden and the dying man tells Sal (Van Hoyden's daughter) the mine is in Alaska and to find a man named Ace Larson. Sal manages to get on the last boat to Alaska before McGurk and Sperry.

To evade the police, the thugs duck into a theater, where Duke and Chester are performing vaudeville. They proceed to work the crowd with a "ghost scam" into to "gambling" their money in hope of doubling it. As the police find the thugs, they escape onstage and reveal Chester hiding under the table with the crowd's money. Duke and Chester are forced to flee the angry mob.

As Duke divides their money, Chester is fed up with having to jump from town to town. Duke convinces him to head north to Alaska to prospect for gold. Chester refuses on the grounds that every time Duke gets a "great idea", Chester is the one that gets the runaround. He even pulls out a black book with a list of every time Duke has taken advantage of him. Chester then takes all the money and tells Duke to go on without him.

As McGurk and Sperry get on the boat bound for Alaska, Duke and Chester prepare to part ways. As they bid a solemn goodbye, and picking each others pocket, Duke steals the money. Chester waves goodbye until he sees Duke counting the money and changes boats at the last moment. He's about to throttle Duke when he realizes the boat has left the dock, for Alaska. In Duke's cabin, Chester takes the money back and goes to put it in a safe, which turns out to be a porthole. With no money to pay for passage, they are forced to scrub the deck and shovel coal.

Sal arrives in Alaska and meets with Ace Larson (Douglass Dumbrille), a saloon owner and friend of her father. Instead of going to the police, Larson assures Sal that he'll take care of things. He gives her a job performing in his saloon, an act which infuriates Larson's girlfriend, Kate (Hillary Brooke). Larson tells Kate how he really plans to take Sal's gold mine for the two of them and passionately kisses her.

While doing housekeeping duties in a cabin, Chester finds the map to the gold mine. As the thugs enter behind them, Duke and Chester realize they've found the Van Hoyden map and the occupants are the killers. They overpower the thugs and take their place(and their beards) to get off the boat, only to find the entire town is terrified of the real thugs. Thinking they can get anything they want, Duke and Chester adopt the tough persona and head to the saloon. They argue over who gets to hold the map and decide to tear it in half and each man keep his for safe keeping.


While enjoying "free" champagne and lots of dancing girls, they see Sal's singing routine and are both instantly smitten. Thinking they are McGurk and Sperry, Sal plays up to both of them and sends a note to Chester. She doubts they are the real killers, but Ace's lackey, Lebec, reminds her that the map is the most important thing and to get it at all costs.

Chester(as Sperry) falls head over heels for Sal and confides in her about the map, even telling her how Duke hid his half in his hat. Sal sends him away but tells him to return at midnight. Meanwhile, Duke receives a note from Sal, and thinking he's McGurk, Sal plays up to him, allowing Lebec to take his hat and the map. She also sends him away telling him to return at midnight. Duke and Chester are at first shocked to be on a date with the same woman, but the night is cut short when the real McGurk and Sperry burst into the hotel. As they make a hasty exit, Sal learns she only gave half of the map to Ace. Duke and Chester manage to escape by dog sled.


Meanwhile, Ace is furious to only have half a map, and sends Kate to the get the other half, with Lebec as a backup plan. Kate tries to pull the "stranded girl in the snow" routine to attract Duke and Chester, but is interrupted by Sal's arrival. The four of them head to a nearby cabin. Kate tells Sal that they need to get the other half or the men will be killed.

After a failed attempt to get the map, Sal gets "McGurk" (Duke) to reveal "Sperry" (Chester) has hidden his half in his undershirt. She plays to "McGurk" and tells him that "Sperry" wants to steal his half and they should run away together. Duke then reveals his true identity and says he'll take care of "Sperry" as Kate walks in. Sal, now realizes how much she loves Duke, refuses to go along with the plan. But Kate warns her that only Ace can keep them from being killed and the only way to get to him is to give up the map. Sal reluctantly agrees to steal the map while the men sleep, and the two girls leave the next morning with Lebec. Duke and Chester are confronted by the real McGurk and Sperry and they realize the girls had stolen the map. They still manage to escape and the after a merry chase through the mountains head back to town.


Sal tells Ace she'll only give up the map if he refuses to kill Duke and Chester, but instead he forms a posse to dispose of them. Somehow they managed to steal the map back, rescue Sal, scare away the mob and get rid of McGurk and Sperry. They escape by dog sled with the mob after them but the sled overturns. The ice splits, leaving Sal and Chester on one side, and Duke on the side of the mob. He throws them map, wishes them well and turns to face the mob.

The movie flashes back into the present with aged Duke telling Sal and Chester how he escaped the mob. He is then surprised to hear Chester and Sal have a son. They call for him, and ironically he bears a striking resemblance to Duke. Chester looks into the camera and says, "We adopted him."

The film is the only Road to … film without a real place in its title though Alaska with its gold mines is referred to as "Utopia" several times in the film. Bob Hope, Bing Crosby and Dorothy Lamour starred, as they did in all but one of the series. The film is also the only "Road" film that did not take place in contemporary times though the film begins and ends with the cast made up to look older who flashback to the past.


As a “narrator”, humor essayist Robert Benchley provides some wry commentary that is interspersed throughout the movie. Benchley's drinking, already a problem ruined his health, and Benchley died in a New York hospital on November 21, 1945 before the movie was released.

There are also jabs at Paramount Pictures (the studio that originally released the film) and a reference to Frank Sinatra, not to mention many instances of "breaking the fourth wall" and general wackiness. In her autobiography, Dorothy Lamour said that the release of Road to Utopia may have been delayed by Paramount to not jeopardize the public's and Academy Awards committee's acceptance of Crosby as Best Actor for playing a priest in Going My Way.


If you want to watch a fun movie and are a fan of just good comedy, I recommend Road To Utopia. Watching Bing Crosby and Bob Hope at the top of their careers are definitely a type of utopia for me at least...

my rating: 10 out of 10