Showing posts with label Kitty Carlisle. Show all posts
Showing posts with label Kitty Carlisle. Show all posts

Sunday, January 18, 2026

SNOWFALL AND SENTIMENT: BING'S WINTERTIME MELODIES

There’s something about winter that invites reflection. The hush of falling snow, the long shadows of January afternoons, the way the world seems to slow down and listen. And if winter had a voice, it might very well sound like Bing Crosby’s—smooth, steady, and full of quiet emotion.

Though most people associate Crosby with Christmas, his musical embrace of the season extended far beyond December 25th. His recordings captured not just the holiday spirit, but the entire emotional landscape of winter: its romance, its solitude, and its unexpected warmth.

It all began with a song that would become the most iconic winter tune of all time—White Christmas. Written by Irving Berlin and first performed by Crosby in 1941, the song wasn’t just a hit—it was a balm. During World War II, it became a symbol of home and hope, especially for soldiers stationed far from snowy rooftops and glowing hearths. Crosby’s version, with its gentle phrasing and wistful tone, became the best-selling single in history. Even today, it feels like a quiet prayer for peace.

But Crosby didn’t stop there. In 1934, he recorded June in January, a romantic ballad that turned the coldest month into a metaphor for love’s warmth. “It’s June in January because I’m in love,” he croons, transforming icy landscapes into blooming gardens with nothing more than affection. The song is a reminder that winter isn’t just about snow—it’s about the contrast between chill and comfort, solitude and connection.

Then there’s Looks Like a Cold, Cold Winter, a lesser-known gem from 1951. It’s a song that doesn’t shy away from the season’s melancholy. With lyrics that speak of icy streets and frosty air, Crosby’s voice carries a quiet ache, as if he’s singing to someone just out of reach. It’s the kind of song you play when the snow is falling and the world feels still.

Not all of Crosby’s winter songs are somber. Silver Bells, recorded with Carol Richards in 1950, paints a picture of bustling city sidewalks dressed in holiday style. The song captures the magic of urban winter—shop windows glowing, children laughing, bells ringing in the distance. Crosby’s voice adds a layer of nostalgia, making it feel like a memory you’ve never had but somehow still miss.

Other seasonal tunes like The First Snowfall and Sleigh Ride in July show Crosby’s versatility. The former celebrates the quiet beauty of snow’s arrival, while the latter flips the seasons for romantic effect, imagining a sleigh ride in the middle of summer. Both songs showcase his ability to make any moment feel magical.

What makes Bing Crosby’s winter recordings so enduring isn’t just the music—it’s the feeling. He didn’t just sing about snow; he sang about what snow represents. His songs are filled with longing, love, and the kind of quiet reflection that January invites. Whether you’re watching flakes fall outside your window or reminiscing about winters past, Crosby’s voice is like a warm fire in the cold.

So this season, when the world slows down and the days grow short, let Bing be your soundtrack. His winter melodies remind us that even in the coldest months, warmth is never far away...




Monday, September 25, 2023

BING ON FILM: HERE IS MY HEART

This time around I wanted to take a look now at a more obscure film. I think 1934’s Here Is My Heart fits the bill. I have a confession to make though. I have never watched the 1934 film. This makes for an exciting viewing experience seeing a “new” Bing film after all these years, but then again to do this article I needed to take very copious notes. Here is My Heart is based on the play La Grande-duchesse et le garcon d’etage by Alfred Savior. Translated the title is The Grand Duchess and The Steward. This 1934 Paramount film starred Bing, Kitty Carlisle, and Roland Young. Filmed in Hollywood at the end of August, it was completed in early November. The New York premiere was on December 21, 1934 and afterwards, Bing entertained at a Christmas basket party hosted by Joe E. Brown at the Beverly-Wilshire Hotel. Dick Powell and Al Jolson also perform before the audience of 800. The event was sponsored by the Rotary Club of Beverly Hills and was designed to provide Yule cheer for the needy of Beverly Hills.

The slight plot is about a happy go lucky millionaire (played by Bing), who has planned a sort of a bucket list once he made a million dollars. A million dollars in 1934 was a like a billion today. One of his silly things he wanted to accomplish was to catch a fish in the middle of the ocean. Other bucket list items included saving a damsel in distress, and also finding a second rare dueling pistol so he could donate them both to a naval academy. (Bing had already obtained one of the dueling pistols). The other pistol was in Monte Carlo, and owned by a Princess Alexandra (played by Kitty Carlisle). The Princess though had lost all her money, but Bing did not know that. To get closer to her, he pretended to be waiter. Bing was instantly attracted to the Princess. Bing also befriended a prince in Princess Alexandra’s entourage by the name of Prince Nicholas (played by Roland Young). Prince Nicholas told Bing that the Princess will only sell the gun to royalty. In order to keep up his charade and find out more info on the Princess, Bing bought the hotel. He saw all of the bills owed to the hotel and realized that the Princess and her entourage are completely broke. Bing had fallen in love with the Princess, and he snuck money into Prince Nicholas’s pocket to help them out. Nicholas, found the money, and he realized Bing is rich. The Prince offers to help Bing win over the Princess. Meanwhile, Prince Nicholas was arrested by the police for illegally selling cars. To obtain his release, the Princess agreed to sell the pistol, but it was discovered that her pistol was a fake and only worth a few hundred dollars. In the end Bing sells his pistol to obtain Prince Nicholas’ release. Princess Alexandra was initially upset at all the lies Bing had fabricated, but Bing convinced her they he is sincere and loves her. They kiss as they declare their love for each other. Bing’s bucket list was no complete!


Here Is My Heart was originally developed as a vehicle for Gary Cooper and Elissa Landi, but Cooper changed his mind after deciding that a love story about a duchess and a waiter wasn't for him and turned down the role. Bing worked well in the film even with the flimsy plot. This was his second movie with Kitty Carlisle. He starred with her earlier in the year in She Loves Me Lot. Bing and Kitty worked well together, and in later years Kitty also talked fondly about her times working with Bing. Roland Young stole the movie away in my opinion as a kind of a comic foil for Bing. This was the only movie that Roland made with Bing, and Young would have greater fame playing Cosmo Topper in 1937’s comedy Topper. William Frawley also appeared in the movie in a smaller role as Bing’s agent. William Frawley would go on to appear with Bing in numerous additional films like: Double Or Nothing (1937) and Going My Way (1944). Frawley and Crosby got along well because they shared a love of horse racing.

The critics liked the film, with The New York Times saying, "...the new Bing Crosby film at the Paramount is a witty, lyrical and debonair farce, and a first-rate addition to the holiday bounties... Mr. Crosby, who has already shown that his talents include a gift for light comedy, emerges this time as a celebrated songbird who, having made his way in the world, decides to take his million dollars and satisfy all the frustrated ambitions which he had brooded over as a boy. “Here Is My Heart” is a bright and funny entertainment, deftly produced and happily performed."

Variety praised it as well: "A setup for the Crosby fans and an excellent example of musical comedy picture making.”Here Is My Heart" should have an easy time of it most anywhere. Crosby is in fine voice, the songs he was handed are honies, and the story serves nicely as something to hang the singing and the songs on... To change the pace the director has him singing while doing anything but hanging from a chandelier. One well planned departure has Crosby in a duet with his own voice playing on a phonograph."

Only three songs were featured in the film, which is a shame. Ralph Rainger and Leo Robin wrote “June In January” and “With Every Breath I Take” for the film. However for the third song, “Love Is Just Around The Corner” Leo Robin wrote the song with Lewis Gensler. I am not sure why Lewis Gensler was used for one song and not Ralph Rainger. Bing recorded all three songs for Decca, and all three were hits for him especially “June In January”.


 An interesting side note to the score of the movie, is I recently discovered a record of a song called “Here Is My Heart” on the Brunswick label featuring the Dorsey Brothers with Bob Crosby on vocal, recorded on November 17, 1934. The song was written by Ralph Rainger and Leo Robin, and the record states “dedicated to the film Here Is My Heart”. It is a cute song, and it would have been nice to have more than three songs in the film. It looks like Eddy Duchin & His Orchestra also recorded it on the Victor label on November 2, 1934. I much prefer the Dorsey Brothers version of this forgotten song. (By the way, Bing made a record of another song called “Here Is My Heart” for Brunswick in 1933 with the Dorsey Brothers, but it was a different song completely).

The cast worked well in the film, and the music was top notch. The plot is probably the weakest part of this movie, but in 1934 movie audiences were not going to the movies to see Bing Crosby in a production of “War & Peace”. People wanted to escape from the stress of the Great Depression, and that is what Bing’s early Paramount movies provided. Here Is My Heart was practically a “lost” Bing film until it was finally issued on DVD as part of Universal Home Videos Silver Screen Collection in 2014. The movie is also available on Blu Ray now. Even though I think Here Is My Heart is not one of Bing’s better movies of the 1930s, I am glad I finally sat down and watched the film from beginning to end. Bing is charming in the film, and the music is amazing!

MY RATING: 7 OUT OF 10



Monday, October 31, 2016

SHE LOVES ME NOT: A 1934 REVIEW

Here is an interesting review of Bing's early movie She Loves Me Not. This was originally published in the NY Times on September 8, 1934...

It is indeed a strange group of characters that are introduced during the hectic proceedings in the film version of last season's play,  She Loves Me Not. Mixed up with Princeton students are the university dean, his daughter, a fiery-tempered cabaret dancer, a couple of cool gunmen and an energetic motion picture press agent and his persistent camera men. As on the stage, this adaptation is a swift-paced piece of hilarity, with occasional romantic interludes during which Bing Crosby and Kitty Carlisle contribute some tuneful melodies.

Some of the farcical episodes in this Paramount offering are apt to recall that famous old comedy, "Charley's Aunt," but in the present production, instead of having a varsity student in skirts, they dress up a cabaret girl in male attire after she has invaded a dormitory room. It has many madcap exploits, such as when the urbane Dean Mercer is felled unconscious by one of the students, just after a thug has been treated similarly. It gives the producers the opportunity to present the thug and the college dean bound together on a sofa. And not the least humorous aspect of this incident is the fact that that excellent actor, Henry Stephenson, impersonates the unfortunate dean.


The story slips from a night club in Philadelphia to Princeton, thence to New York and back to the university. Miriam Hopkins appears as Curly Flagg, a dancer who flees from a night club—where she was a witness to a killing—to Princeton, where she takes refuge in one of the students' rooms. She is a constant source of worry to two students, Paul Lawton and Buzz Jones, even when she is garbed as a young man. Then the gangster chief decides that Curly will probably squeal about the murder and he dispatches two hirelings to "take her for a ride."

A motion picture producer hears about the girl being hidden in the Princeton students' room and his imaginative publicity man conceives the notion of employing Curly as a star, after getting as much publicity as possible in discovering her.


Lawton, who is acted by Bing Crosby, becomes infatuated with Midge Mercer, the dean's daughter, and their romance offers opportunity for the singing of several songs, which include "Love in Bloom," "I'm Hummin'," "I'm Whistlin'," "I'm Singin'" and "Straight From the Shoulder, Right From the Heart." These are rendered quite effectively by Mr. Crosby and Miss Carlisle.

Miriam Hopkins gives a vivacious performance as Curly and Warren Hymer adds to the fun by his portrayal of a gangster. Lynne Overman is splendid as the publicity man and George Barbier is in his element in the rôle of a motion picture magnate. Mr. Stephenson makes the most of the rôle of the unfortunate Dean Mercer...

Sunday, April 17, 2016

PAST OBITS: KITTY CARLISLE

Here is the obituary from April 18, 2007 of actress and socialite Kitty Carlisle. She starred with Bing Crosby in two movies - She Loves Me Not (1934) and Here Is My Heart (1935). Kitty died on April 17, 2007 at the age of 95...

Kitty Carlisle Hart, who began her career in the theater in a 1932 musical comedy revue on Broadway, acted in films and opera and was still singing on the stage, into her 10th decade, as recently as last fall, died Tuesday at her home in Manhattan. She was 96.The cause was heart failure, her daughter, Catherine Hart, said. Outgoing and energetic, Miss Carlisle became in her middle years a visible advocate of the arts, lobbying the New York State Legislature and the United States Congress for funding. For 20 years, first as a member and later as chairman of the New York Council on the Arts, she crisscrossed the state to support rural string quartets, small theater groups and inner-city dance troupes.

At another moment, she could be found performing on a cruise ship plying the Greek islands, as she was during her 90th year. Just last November, she sang George Gershwin’s “The Man I Love” at the annual gala fund-raiser for Jazz at Lincoln Center. That followed a series of engagements in New York and other cities celebrating her 96th birthday. Miss Carlisle, as she was know professionally, also became a favorite of the first television generation as a regular on the game shows “To Tell the Truth” and “What’s My Line?”Photo

As a young girl, she was taken around the capitals of Europe by her mother, whose ambition was to establish her daughter in a “brilliant” marriage, preferably to a prince. There were piano lessons, voice lessons and a grounding in the dramatic arts.


When a royal husband did not materialize, Miss Carlisle remembered, her mother would tell her, “You’re not the prettiest girl I ever saw, and you’re not the best singer I ever heard, and you’re certainly not the best actress I ever hoped to see, but if we put them all together, we’ll find the husband we’re looking for on the stage.”

She found that husband in the dramatist Moss Hart. They were married in 1946. In the years before he died, in 1961, they were at the center of New York’s glittering theatrical life.

The revue in which she broke into show business, “Rio Rita,” played the Capitol Theater on Broadway four or five times a day as the stage show between movies. She also played the “subway circuit” for one-week stands in Brooklyn and the Bronx. The show then went on the road for eight months.

Her next role, as the prince in a musical based on Strauss’s “Fledermaus,” won her a screen test and a Hollywood contract. In 1934, Miss Carlisle made her first movie, “Murder at the Vanities.” That same year she appeared in a movie called “She Loves Me Not,” in which she sang “Love in Bloom” with an up-and-coming crooner, Bing Crosby. She was paired with Crosby again that year in “Here Is My Heart.” In its review, The New York Times called her “a charming and gifted young woman who promises to make her mark in the cinema."


The same was not said of her opera ambitions. Asked to sing “Alone” in the Marx Brothers spoof of the genre, “A Night at the Opera,” she was horrified to learn that she was expected to move her lips to the sound of someone else’s recording. She refused. For the next three days, her agent argued for her right to perform with her own voice. She won. For years, the song became something of a signature for her.

The collaboration with the Marx Brothers was as close as she came to opera until 31 years later, when, at the age of 56, she made her Metropolitan Opera debut as Prince Orlofsky in “Die Fledermaus.”

When Paramount found no more roles for her — “I was a meteoric bust,” she wrote in “Kitty: An Autobiography” (Doubleday, 1988) — Miss Carlisle returned to Broadway as the lead in “White Horse Inn” in 1936 and in “Three Waltzes” the next year. Brooks Atkinson, the drama critic for The Times, wrote that the show was “distinguished chiefly for the admirable singing and acting of Kitty Carlisle and Michael Bartlett.”


Miss Carlisle accepted jobs wherever they were offered, often in summer stock. She sang “The Star Spangled Banner” at many World War II bond rallies and appeared in the 1944 film “Hollywood Canteen.” In her later years, Miss Carlisle was seen around town with her latest beau, Roy R. Neuberger, the financier.

Until the end of her life, Miss Carlisle remained a svelte, attractive woman with dark, neatly coiffed hair that she said she colored herself. With a full mouth outlined in bright red lipstick, she burst easily into warm laughter. She was known for her grace and charm, but by her own account she was slightly eccentric, a trait she treasured because she believed it gave her a lot of leeway.

She practiced singing every day, exercised every morning (and was the first to tell anyone that she had beautiful legs, which she did) and believed that discipline was the key to life. In her last decades, she became a popular lecturer. She often told her audiences, “With a soupçon of courage and a dash of self-discipline, one can make a small talent go a long way.” In recent years, Decca Broadway re-released her operetta recordings from the 1940s and ’50s.

In her later years she performed occasionally in a one-woman show, “My Life on the Wicked Stage.” It was full of anecdotes about her friends Richard Rodgers, Oscar Hammerstein, Cole Porter, Irving Berlin, Jerome Robbins and George and Ira Gershwin. She also appeared on stage in a Broadway revival of “On Your Toes” and made film appearances in “Six Degrees of Separation” and Woody Allen’s “Radio Days.”


“I’m more optimistic, more enthusiastic and I have more energy than ever before,” she said just after her 79th birthday. Energy, she said, came from doing the things she wanted to do.

“You get so tired when you do what other people want you to do,” she said. When she was 90, she started work on a second book.

Miss Carlisle was born Catherine Conn in New Orleans on Sept. 3, 1910. Her father, Joseph Conn, a doctor, died when she was 10 years old. Afterward, her mother, the former Hortense Holtzman, sold their house and took her daughter to New York and then to Europe, where the young Catherine was enrolled in Mont Choisi, a school overlooking Lac Léman in Switzerland. She ended her education at the Royal Academy of Dramatic Arts in London, where she won a certificate.

She wrote that her mother, as critical as ever, saw her first performance, looked her straight in the eye and said, “My dear, we’ve made a ghastly mistake.”

She delighted in proving her mother wrong. “A career takes more than talent,” Miss Carlisle was fond of saying. “It takes character.” And perhaps stamina. Still working as a nonagenarian, she took her stage show on the road last fall, appearing in Atlanta, St. Louis and other cities.

“I’m 96,” she told The St. Louis Post Dispatch in October, “and I’m loving it.”


Wednesday, September 4, 2013

GUEST REVIEWER: HERE IS MY HEART

Here is another excellent review from our guest reviewer Bruce Kogan. I am anxious to read what he has to say about Here Is My Heart - it was pratically a lost film until it was recently issued on DVD...

This film had been thought of as lost for about half a century when apparently Kathryn Crosby must have been rummaging through some closets and announced that Bing had a copy of this formerly lost film of his. It was restored and back in the early 1990s I saw the newly restored version with my friend Scott Barton and hosting the film was its co-star, Kitty Carlisle. It was a great afternoon.

And the film was well worth saving. Songwriters Leo Robin and Ralph Rainger gave Crosby, It's June In January and With Every Breath I Take to sing and Robin teamed up with Lewis Gensler for Love Is Just Around the Corner. All three songs were good selling records for Bing and a particular favorite of mine has always been With Every Breath I Take. He sang these a few times during the film both solo and as duets with Carlisle.

The records incidentally were the first movie songs and almost the first songs Crosby recorded for the brand new Decca record label. Although Decca signed many artists, Crosby was their number one artist for 20 years. Decca and Crosby were virtually synonymous.


No acting stretch here in terms of character. Crosby plays a rich crooner. Jokes about his wealth were a staple in Bob Hope's repertoire, although Hope did pretty good in that department as well. In 1934 Crosby was accumulating his fortune, but he wasn't near the point where as Hope once said, "he doesn't pay taxes, he just calls up the Treasury and asks how much they need."

Like many rich people and some not so rich Bing was collecting his toys in this film and he had one pistol in a matched set of dueling pistols that once belonged to John Paul Jones. Bing wants to get the set and donate them to the Naval Academy. Problem is that the other one belongs to Kitty Carlisle who is an exiled Russian princess living in Monte Carlo with her retinue which consists of Roland Young, Alison Skipworth and Reginald Owen. Essentially these people live off her selling her possessions and they're getting fewer and fewer.

So Bing goes off to Monte Carlo meets Carlisle and the fun begins. A standard criticism I have of Crosby's films is that Paramount shot them on the cheap, especially his musical numbers. It would have been great if Paramount had actually shot the thing in Monte Carlo, but to be fair, no studio in Hollywood would have gone those lengths in 1934. Twenty years later Paramount did go to Monte Carlo for a movie and the result was To Catch A Thief. Here Is My Hear would have been as special as that film had they done that and with color to boot.


This was also the first film Crosby did with William Frawley who appeared in several of his films. Frawley was one of film land's great misanthropic alcoholics and by all accounts not a nice man to know. Crosby and a lot of Hollywood gave up on him, until Desi Arnaz saved him from oblivion and gave him a fresh career as Fred Mertz.

Kitty Carlisle said that Crosby was a difficult man to know for her. He came to the studio, did his business and left. If he had his druthers, Bing would have been out on the golf course. But she enjoyed the two films she did with him. When I saw Here Is My Heart it was playing with Murder At the Vanities and she had not much good to say about her leading man Carl Brisson in that one.

One ironic tragedy. The film centered around Crosby trying to acquire antique dueling pistols. Crosby's crooning rival Russ Columbo was killed by an antique dueling pistol that summer around the time Here Is My Heart would have been in the theaters. A year before Columbo had visited Bing on the set of We're Not Dressing where Crosby's co- star was Carole Lombard who was linked to Columbo at the time.

Here Is My Heart was well worth saving. I guess we should all be grateful to Kathryn Crosby for doing her spring cleaning...

BRUCE'S RATING: 7 OUT OF 10
MY RATING: 7 OUT OF 10