But that is only a small portion of a career that saw him providing orchestrations and accompaniments for such artists as Fred Astaire, Bing Crosby, Peggy Lee, Ella Fitzgerald, Julie Andrews, Frankie Laine, Rosemary Clooney, Slim Whitman and Randy Crawford – to name but a few. His orchestrations can be found in the repertoires of such world famous musical units as the London Symphony Orchestra, the Boston Pops and the Rochester Symphony Orchestra – in addition to writing scores for such luminaries as Burt Bacharach, Marvin Hamlisch and Liberace.
A quiet, soft-spoken and unassuming man, cockney-raised and academy-trained, Pete Moore usually declined to do interviews because he was always “too busy.” In fact, it would seem that he never actively sought work, it just came to him. Which is why he was often referred to as “The Invisible Genius.” As a person and as a musician, he was liked and admired by everyone who knew him. While he may not be a household name, Pete Moore’s music remains alive and well. As it has for the past half-century.
His funeral takes place at 1.20 pm next Friday December 13th at Mortlake Crematorium, Kew Meadow Path, Townmead Road, London TW9 4EN
|Pete Moore with Johnny Mercer and Ken Barnes|