Friday, September 25, 2020

AUDIO ASPIRIN: MARIA BONITA

Monday, September 21, 2020

Friday, September 18, 2020

Monday, September 14, 2020

Monday, September 7, 2020

BINGO VIEJO

Bingo Viejo is a 1975 vinyl album recorded by Bing Crosby at his own expense during two sessions in 1975 at United Recorders, Hollywood. "Viejo" means "old" in Spanish. He was accompanied by Paul Smith and his Orchestra. Crosby, who called the LP his "Mexican album", leased the tracks to the English branch of Decca following negotiations with producer Geoff Milne and the album was issued on Decca's London label.

He also leased the tracks to a USA based label called Anahuac. They remixed the tracks and used some alternate takes (tracks 6, 7, 9 and 10). Bing Crosby himself felt that this improved the album and he wrote to his friend Leslie Gaylor in a letter dated July 11, 1977."The Bingo Viejo record has been remixed and it sounds much better than ever it did before. I don’t know what they did to it but they brought up the vocal a little more and cut down on the background, which made it sound a little more intimate and a little more personal."

The album has never been issued on CD.

The UK magazine The Gramophone reviewed the album saying: "Bingo Viejo" by old Bing Crosby himself is a typically warm Crosbyian salute to south of the border with ten songs sung in English and Spanish which will undoubtedly please his numerous adherents of either tongue. The numbers are mostly familiar ones like Green Eyes, Besame Mucho, Frenesi and The Breeze and I, and the arrangements are less than impressive, particularly the messy accompaniment for Amapola, which almost undermined the Old Groaner’s customary vocal serenity."

Record producer, Ken Barnes, felt that the album was a less successful effort than A Southern Memoir and he considered that the "main fault lies in the choice of some of the songs—notably ‘The Breeze and I’ and especially ‘Spanish Eyes’ which were clearly too rangy for any septuagenarian to sing, although sing them he does...





TRACKS:
1. "Maria Bonita"
2. "Green Eyes"
3. "Amapola"
4. "Bésame Mucho"
5. "Cuando calienta el sol"
6. "Eres tú"
7. "La Borrachita"
8. "Frenesí"
9. "Spanish Eyes"
10. "The Breeze And I"


                                  



Monday, August 24, 2020

BING AND THE FILM CAMERA

Here is an great print advertisement that I just discovered. Bing is promoting a film camera. This came out around 1956 when Bing was starring in his last Paramount movie... Anything Goes!



Friday, August 7, 2020

PHOTOS OF THE DAY: BING IN THE 1970s

Unfortunately for the whole world, Bing Crosby died in 1977. However, he was very present in the 1970s and made a lot of appearances and recordings in his final years. Here are some great photos from that decade...












Thursday, July 23, 2020

Friday, July 17, 2020

REMEMBERING: ZIZI JEANMAIRE (1924-2020)


French dancer and singer Zizi Jeanmaire, an iconic cabaret showgirl whose grace and glamour was celebrated on stage and in film the world over, died Friday in Switzerland aged 96, her family told AFP.

"My mother passed away peacefully last night at her home in Tolechenaz," a town bordering Lake Geneva, her daughter Valentine Petit told AFP by telephone.

Jeanmaire starred in ballets, cabarets, musicals and film, mixing styles but never compromising on the rigour of her classical training.

Many of her roles were created by her husband Roland Petit, the renowned choreographer who died in 2011.

It was her leading performance in Petit's modern interpretation of "Carmen" in 1949, which featured the short-cropped hairstyle that became her trademark feature, that launched her into the spotlight.

The new-look production caused a sensation when it was performed in Paris, London and New York.

Jeanmaire and Petit met in 1933, when they were around nine years old and students at the Paris Opera Ballet. They married in 1954 and had a daughter.


"They became the power couple of Sixties Parisian cultural life, wearing Yves Saint Laurent and collaborating with Andy Warhol," The Telegraph wrote in an obituary of Petit.

Jeanmaire was born in Paris on April 29, 1924, her real name Renee Marcelle Jeanmaire. Her nickname is reportedly rooted in her childhood pronunciation of "Mon zizi" for "Mon Jesus" (My Jesus).

She left the Paris Opera Ballet at 19, saying she wanted to see the world and eventually making her way into Hollywood and New York.

Her leading films roles were in the 1950s, including in the Hollywood musical "Hans Christian Andersen" (1952), about the life of the Danish storyteller, and "Anything Goes" (1956) starring Bing Crosby.


She triumphed at Paris' Alhambra music hall in 1961 with a performance of "Mon Truc en Plumes" -- her legendary costume of huge, pink ostrich feathers designed by Saint Laurent -- and in 1966 danced alongside Rudolf Nureyev for the film version of Petit's ballet "Le Jeune Homme et la Mort" (The Young Man and Death).

Saint Laurent, who dressed her for 40 years, once said she "only had to walk on stage for everything to take life, fire and flames."

Sealing her place in stardom is a reference in the opening line of Peter Sarstedt's name-dropping classic "Where Do You Go to My Lovely" (1969), which says: "You talk like Marlene Dietrich, And you dance like Zizi Jeanmaire."

A public ceremony in her honour will be organised in September, her daughter said...



Monday, July 6, 2020

FLASHBACK: 1950


It was the day America’s favourite crooner wowed the crowds at the home of golf and needed a police escort to escape. Bing Crosby played in the British Amateur Golf Tournament on May 21 1950 under his real name, Harry.

The match play clash with local builder James Wilson and the world-famous singer and actor at St Andrews resulted in a media avalanche....