Showing posts with label Mel Torme. Show all posts
Showing posts with label Mel Torme. Show all posts

Friday, June 10, 2022

STORIES ABOUT BING: MEL TORME

 


Mel Torme was definitely an admirer of Bing. He got to record with Bing early on in Mel's career in the 1940s, and he continued to have great stories about Der Bingle:

"In 1945, my Mel-Tomes and I walked into Decca recording studios in Hollywood to cut our very first record with Bing. We didn't know what to expect. Bing Crosby. A terror? Haughty? Difficult? When he walked in, grinning, relaxed, and friendly, we relaxed as well and proceeded to make what I feel was a very good record. Bing treated us as though we were old friends, making, not forcing, suggestions. There were a few solo spots for me, and I sang them hesitantly. Bing encouraged me to 'sing out' and egged me on during the actual making of the record .... If there is anyone I have modeled myself after over the years, I would have to say it is Bing Crosby.

In 1975 he invited me and my family to lunch at his home just outside of San Francisco. Mary Frances and Harry, Bing's kids, were on hand as well as Kathryn, and it was a funny, jolly, loving luncheon, full of stories and remembrances. After lunch, Bing, sans hairpiece, asked Harry to go get his guitar. We adjourned to the music room, and, just like that, Bing sat down and began to sing. He did about eight tunes, invited me to join him, which I did, and that's the way the afternoon went .... That night he brought the whole family to the Fairmont, sat at a front table (still sans toupee), and stayed through my whole performance. I never quite got over that."



Saturday, August 17, 2019

BING'S TEN FAVORITE PERFORMERS - PART TWO

Here are the rest of Bing Crosby's choices for his favorite performers that he picked in 1977...




6. LOUIS ARMSTRONG (1901-1971)
Bing once said “I’m proud to acknowledge my debt to the ‘Reverend Satchelmouth’ … He is the beginning and the end of music in America”

It is impossible to overstate the influence and importance of Louis Armstrong to the development of jazz and popular music. Indeed, it is the subject of books and documentaries, not of blog entries. Such was Armstrong’s fame and incredible impact as a performer and musician, that I did find a surfeit of quotes by people much more qualified than I to add something meaningful to the dialogue about Armstrong’s legacy.

“(Armstrong was) the key creator of the mature working language of jazz. Three decades after his death and more than three-quarters of a century since his influence first began to spread, not a single musician who has mastered that language fails to make daily use, knowingly or unknowingly, of something that was invented by Louis Armstrong.” – Dan Morgenstern, Oxford Companion to Jazz


7. NAT “KING” COLE (1919-1965)
Nat “King” Cole remains one of the most beloved entertainers and recording artists of the 20th-century. He rose to fame as a jazz pianist in the 194os as the leader of the Nat “King” Cole Trio, before becoming one of the most successful singers of the 1950s and early-1960s and a cornerstone of Capitol Records roster. He died tragically from cancer at the age of 45 in 1965, but not before becoming the first black man to host a TV show and introducing a stunning string of hit songs, including “Straighten Up and Fly Right,” “When I Fall in Love,” “Too Young,” “Nature Boy,” “Route 66,” “L-O-V-E,” and “Unforgettable.”



8. MEL TORMÉ (1925-1999)
Mel Tormé was a jack of many trades but a master of them all: preeminent vocalist of standards (known as “The Velvet Fog”), composer (“The Christmas Song,” a.k.a. “Chestnuts Roasting on an Open Fire”), musical arranger, actor, and author of five very well-written books.


9. JUDY GARLAND (1922-1969)
Judy Garland was a child prodigy who was performing from the time she could walk. So much has been written about Judy Garland that it is hard to separate fact from fiction. No matter what your feelings about the entertainer, one thing is certain: she meant (and to some extent, continues to mean) a great deal to many people. Though she never had the hip factor of a Sinatra, or the mystery of a Peggy Lee, Garland’s gifts were undeniable and. In terms of raw talent, Judy Garland was inarguably in the most elite group of all-time greats, an opinion shared by most all of her peers, including Mr. Crosby.


10. VICTOR BORGE (1909-2000)
Victor Borge is not well-remembered today, but the Danish comic, conductor, and pianist was a major star of radio and television. He lived a very long life and died in his 90s, after 75 years of entertaining. In addition to his musical accomplishments, he wrote several books and was a shrewd businessman. He was apparently responsible for popularizing rock Cornish game hens, a business in which he invested. Who knew?

SOURCE

Saturday, December 8, 2012

BING CROSBY AND OTHER SINGERS

Bing Crosby was definitely a singer's singer. Many of his peers and people that came after Bing idolized and looked up to him. Here are some quotes from other singers and what they thought about Bing...

EDDY ARNOLD:
"Bing was fantastic. I have many, many of his records today. He recorded so many of the country songs like "You Are My Sunshine," "It Makes No Difference Now," "Walkin' the Floor Over You." He recorded the first hit I ever had [Just a Little Lovin']. On and on and on. And he did them straight. He never made fun of them. He always did 'em in a melodic way. And, of course, the songs became well known because of his popularity. The songs took on the popularity of the whole country. Do you know who was Winston Churchill's favorite singer and song during World War II? It was Bing Crosby's record of "You Are My Sunshine." (Eddy Arnold: An Inside Look, interviewed by Ralph Emery, TNN, 1991.)

TONY BENNETT:
"Just imagine something five times stronger than the popularity of Elvis Presley and the Beatles put together. Bing Crosby dominated all of the airwaves. He was the only guy who had hour shows on radio stations, where other artists would just have one record played." (PBS interview, 1999)


ROSEMARY CLOONEY:
"Over the years Bing and I have done movies together, recordings, radio, television -- the whole entertainment circle.... The best way to get along with Bing was to forget first of all that he was Bing Crosby. It was not always easy. I know that every now and then something would strike me when we were working together -- the tilt of his pipe or the set of his hat -- the Crosby image -- and I'd say to myself, "What the hell am I doing singing here with Bing Crosby?" (Clooney, This for Remembrance, p232)

SAMMY DAVIS JR:
"I'm working with three of the biggest guys in the business -- so I can't wait for the first day when we all get around the piano to rehearse a song called 'Mr Booze.' In this there are so many Crosbyisms, all the things that we and millions of people have loved him for. And I'm standing there, and I missed my cue five times because I'm watching him. Frank [Sinatra] said, "What the hell is wrong with you?" I said "To hell with you, Frank, I'm listening to Bing Crosby!" Everybody just broke up."


PEGGY LEE:
"He took me out to dinner once and I got up nerve enough to tell him about how I felt at one movie when he didn't get the girl. I was so in sympathy with him that when he sang this song 'Down by the River' I cried and cried. So he pretended that we were sort of sightseeing in San Francisco and we went around to different little bistros until finally he found a pianist who knew the song and Bing sang it especially for me."

MEL TORME:
"In 1975 he invited me and my family to lunch at his home just outside of San Francisco. Mary Frances and Harry, Bing's kids, were on hand as well as Kathryn, and it was a funny, jolly, loving luncheon, full of stories and remembrances. After lunch, Bing, sans hairpiece, asked Harry to go get his guitar. We adjourned to the music room, and, just like that, Bing sat down and began to sing. He did about eight tunes, invited me to join him, which I did, and that's the way the afternoon went .... That night he brought the whole family to the Fairmont, sat at a front table (still sans toupee), and stayed through my whole performance. I never quite got over that." (Torme, My Singing Teachers, p19)