BING RUMOR: BING AND PSYCHEDELIC FILMS

BING RUMOR: There is a rumor that Bing was involved in psychedelic films in the 1940s!

In the 1940s, British psychologist Cecil Stokes created Auroratone films, deeply psychedelic short movies meant to be shown at psychiatric institutions to help treat patients suffering from mental disorders, particularly war veterans. In 1942, Stokes was granted US patent #2292172 for the Process and Apparatus for Producing Musical Rhythm in Color. This was the year before Albert Hoffman discovered the hallucinogenic properties of LSD and two decades before psychedelic light shows appeared at rock and avant-garde music performances.

According to Wikipedia, "the patterns were produced by using crystallizing chemicals and polarized light, which were then synchronized to a variety of recorded musical tracks… Bing Crosby was involved with these films due to his being a shareholder in the [Auroratone] foundation and his interest in the rehabilitation of veterans."

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BING AND HIS LATER CAREER

Over 120 years ago on May 3rd of 1903, Harry Lillis “Bing” Crosby Jr. was born in Tacoma, Washington. He would go on to have a prolific career in recording, radio, film, television, and even recording technology. Despite his stature, he wanted to slow down his hectic life, and after the death of his first wife in 1952, he slowly went into semi-retirement. When he got married again, he took it as an opportunity start a new family.

Because of this, Crosby gradually let himself slow down, however this was all to change. Following the Christmas of 1973, Bing started having serious health issues. By New Year’s Eve, Crosby was rushed to a hospital, and it turned out he had a tumor in his lung. Thankfully it wasn’t cancerous, and it was able to be removed, albeit two fifths of his left lung had to be removed. Speculation started on whether he would be able to sing again, but after his recovery he came back fiercely.

After the operation and recovery period, Bing came back with a vengeance. He signed a deal to do a few albums for United Artists, along with recording two TV specials. In 1975 alone he would record 5 albums and an audiobook along with many TV appearances in the United Kingdom to promote his upcoming albums.

Later that year, the realization he had been in show business for 50 years led Bing to get back on the concert stage throughout 1976, something he hadn’t done since the early 1930s. He did numerous shows throughout the United States and the United Kingdom. In 1976 alone Crosby took the stage thirty-five times. Performances from the London Palladium were turned into an album, although he recorded two other albums along with his yearly Christmas special and other various TV appearances.

1977 seemed like a great year for Bing. Concept albums, worldwide tours, and more TV shows were on the horizon. The first show was a televised version of his usual concert to complete the 50th anniversary celebration. After the show had completed, triumph went to tragedy as he fell twenty-five feet off of the stage when taking bows. Thankfully he didn’t suffer any major injury, only breaking a disc in his back. This had put a lot of plans for 1977 on the fence.

However, by August he was feeling well enough to go on the road again. He did his last American concert on the day Elvis Presley died, and went to Norway to do a show for the Red Cross. In September, Bing recorded a concept album, a Christmas TV special with David Bowie, and started another two week stay at the London Palladium. Going into October, the London Palladium performances continued, and he would do one last show on October 10. The next day he would do a photoshoot for his latest album and make his final recordings. Three days later, after winning a game of golf, Bing died from a heart attack at the age of 74, leaving a massive legacy behind him. All of the accomplishments in his last few years alive would be impressive alone, but when you add on the quality of them, it really shows what he could do at this time of his life....

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HAPPY NEW YEAR!

 Here's to 2024 and all the Bingfans out there!

PHOTOS OF THE DAY: BING AND HIS CHRISTMAS SPECIALS

 No one in the modern world meant more to Christmas than Bing Crosby. Here are som candid shots from his Christmas specials through the years...

with Frank Sinatra

HOLIDAY INN: A 1942 REVIEW

 Here is the original review of the classic Holiday Inn. This appeared in the NY Times on August 5, 1942...

That man Irving Berlin has been whistling to himself again. Not content with turning out the most rousing Broadway show in years, he has scribbled no fewer than thirteen tunes for "Holiday Inn," the light-heartedly patriotic musical which opened last night at the Paramount in conjunction with a gala stage show for the benefit of the Navy Relief Society.

 Mr. Berlin may not know a great deal about notes, as he confesses, but he does know a lot about music. If there are no tunes in "Holiday Inn" that quite match those of his army show, Mr. Berlin still has created several of the most effortless melodies of the season—the sort that folks begin humming in the middle of a conversation for days afterward. At present Paramount prices Mr. Berlin's tunes are being sold dirt cheap.As it happily happens, the film has caught the same effortless moods of the music. Mark Sandrich, director and producer, has taken the inevitable melange of plot and production numbers and so deftly pulled them together that one hardly knows where the story ends and a song begins—a neat trick if you can do it. That it comes off, of course, is largely due to the casual performances of Bing Crosby, who can sell a blackface song like "Abraham" or turn an ordinary line into sly humor without seeming to try, and Fred Astaire, who still owns perhaps the most sophisticated pair of toes in Christendom. 

Mr. Astaire has rarely danced with more alert, carefree abandon than among the exploding torpedoes and red devils of "Say It With Firecrackers." And in Marjorie Reynolds, a very fetching blonde young lady, Mr. Astaire has a new partner who can hold her own at all speeds.Mainly "Holiday Inn" is a series of musical episodes, each of which takes an American holiday for cue. But they have been strung ever so neatly on the amorous rivalries of Mr. Astaire, who wins all the battles except the last, and Mr. Crosby, a musical lazybones who retires to a New England farm which he converts into a night club for holidays only—thus leaving him 300-odd days a year for pure loafing.

And while the pair desperately conspire against each other for the hand of Miss Reynolds, Mr. Berlin's music sets the moods from the romantic "Be Careful, It's My Heart," to nostalgic "Easter Parade," tender "White Christmas" and rollicking "Let's Start the New Year Right."Along the way the author and director have bobbed up with some engaging tricks such as the befuddled Thanksgiving turkey hopping from one Thursday to another or the Washington's Birthday Minuet, in which a bland Mr. Crosby continually breaks up Mr. Astaire's precise and dainty footwork with hot licks in the accompaniment. It is all very easy and graceful; it never tries too hard to dazzle; even in the rousing and topical Fourth of July number it never commits a breach of taste by violently waving the flag. Instead it has skipped back over the year in an affectionate and light-hearted spirit. In a month without a holiday, "Holiday Inn" offers a reason for celebration not printed in red ink on the calendar.

HOLIDAY INN, screen play by Claude Binyon; adaptation by Elmer Rice; based on an original idea by Irving Berlin; produced and directed by Mark Sandrich for Paramount; music and lyrics by Irving Berlin. At the Paramount.Jim Hardy . . . . . Bing CrosbyTed Hanover . . . . . Fred AstaireLinda Mason . . . . . Marjorie ReynoldsLillie Dixon . . . . . Virginia DaleDanny Reid . . . . . Walter AbelMamie . . . . . Louise BeaversCigarette Girl . . . . . Judith GibsonHat Check Girl . . . . . Katharine BoothGirls and Dancers . . . . . Barbara Slater, Aline Brandes, Louise La Planche, Laurie Douglas, Lynda Grey, Lora Lee

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AUDIO ASPIRIN: YOU'RE ALL I WANT FOR CHRISTMAS

BING'S SONGOGRAPHY: YOU'RE ALL I WANT FOR CHRISTMAS

I thought Bing sang this underrated Christmas song on his radio show, but it looks like there is just the commercial recording. I recommend this great song. Frankie Laine also recorded a nice version of the song... 

YOU'RE ALL I WANT FOR CHRISTMAS 

11 May 1949 Rec. L 5009-A

The Ken Lane Singers, Victor Young and his Orchestra

BING CROSBY - THE VOICE OF CHRISTMAS

The Voice of Christmas: The Complete Decca Christmas Songbook is a two-disc collection of Christmas music recorded by Bing Crosby for the Decca label between 1935 and 1956, released by Universal Music Group on October 6, 1998. Crosby was the first popular singer to record Christmas songs, and his 1942 recording of "White Christmas" for the movie Holiday Inn is the best-selling single of all time. The most prolific period for his Christmas recordings was between 1942 and 1955, including his Christmas songs recorded with The Andrews Sisters. Crosby continued to record Christmas titles for other labels later in his career.

Most of the tracks included were originally issued on 78 RPM records. This collection contains all of Crosby's Decca label Christmas recordings, including some duplications of titles recorded at different times. The 1947 recording of "White Christmas" is the most played and considered the "standard" version; this re-recording was made due to the acetate of the 1942 version, and its flip side "Silent Night," becoming too degraded in quality to reproduce further copies.

Tracks are presented in loose chronological order, with collaborations appearing in chronological order on disc two from tracks nine through twenty. Two tracks are previously unreleased songs: an alternate version of his original May 29, 1942, recording of "White Christmas"; and a February 21, 1935, recording of "Silent Night." The 1935 version of "Silent Night" was not released due to Crosby's feelings that a popular entertainer should not profit on such a religion-based song however, once the proceeds were arranged to be donated to charity, a second recording of the song was released as a single in 1935 and was later packaged as part of a 1940 album...

STORIES ABOUT BING: JIMMY CAGNEY

 Jimmy Cagney and Bing Crosby never got to work together on film, but they knew each other and got to work together briefly during the war selling war bonds. Here is a story Jimmy had about that time...

"At our opening show in Soldier Field, Chicago, there was a crowd of 130,000 .... Bing walked out to a reception for which the adjective "triumphant" is inadequate. He stood there in that very humble, charming way of his .... After the audience explosion died down, Bing said, "Whadda yez wanna hear?" and they exploded again until the stadium walls nearly buckled. After they subsided, he said, "Ya wanna leave it to me?" and they blew up again. Finally, he said, "Hit me, Al," and our orchestra conductor, Al Newman, started his boys off on "Blues in the Night." They had played only the first two bars when the audience went into rapturous applause once more. Bing finished the song, and never in my life have I heard anything like it. I got the traditional goose pimples just standing there, listening. He did another, same thing .... When Bing came offstage, the perspiration on him was an absolute revelation to me. Here he had been to all appearances perfectly loose and relaxed, but not at all. He was giving everything he had in every note he sang, and the apparent effortlessness was a part of his very hard work."

with Carole Lombard

REMEMBERING NICK NARDELLA (1943-2023)

 I lost a dear friend this week with the passing of Nick Nardella of Chicago. He was a lifelong member of The International Club Crosby, and Bing Crosby was one of his favorite singers. I personally met him in 1999, and we started a taping correspondence. He was there in my life for all of the important points of my life like my marriage and birth of my children. I have known Nick longer than I have known my wife. He always had encouraging words for me, and he was a geniune and good person. His music collection was as big as his heart.

Nick passed away peacefully on November 19, 2023. Nick is survived by his loving wife of 44 years, Laverne M. Nardella nee Peterson; caring brother of John Nardella and Geraldine Kruger; cherished brother-in-law to the late Jim (Kathy) Peterson, Marilyn (James Sr.) Nemecek, the late Eileen Tomazin; fond uncle to Michael and Richard (Kim) Kruger, James Jr. (Michelle) Nemecek, Tracy (Joseph) Buchholz, Eric Peterson, Julie (David) Westerman, TJ Tomazin; caring great-uncle to Brooke (Cody) Mudd, Seth and Emily Kruger, Justin, Jacob, Jared, and Makayla Buchholz, Charlie and Danny Westerman; devoted great-great-uncle to Amberleigh Mudd. He is preceded in death by his parents Henry and Antoinette Nardella.

Nick proudly served in the Army as an Administrator, stationed in Germany during the Vietnam War era. Upon returning from his time in the service he fondly worked at World Book, and several years later went on to meet the love of his life, Laverne. Music and sports were Nick’s second love, being a devout fan of artists from the 1940’s and all sports teams from Chicago. He also was a member of "The Browsers", a Chicago based record collector group that shared their knowledge on local radio. 

I am a better person because I had the honor of knowing Nick Nardella....