Showing posts with label interview. Show all posts
Showing posts with label interview. Show all posts

Tuesday, December 10, 2019

HARRY CROSBY, HIS FATHER, AND WHITE CHRISTMAS

Here is a really nice article that was featured in the British newspaper Express. It was written by Deborah Collcutt...

Christmas Day is planned to ­perfection. Preparations don’t start too early – traditionally in mid-December – but no detail is too small to be considered. From the meticulously-selected Christmas tree decorations to the lunch menu of baked ham, everything is just right.

The highlight of the day is a rendition of Christmas songs, performed live by the ­children for assembled friends and family. All hardly surprising, perhaps, given the household in question is that of Bing Crosby’s son Harry, whose late father’s name encapsulates the magic of Christmas as much as Santa Claus himself. Bing’s grandchildren even perform their grandpa’s world-famous song White Christmas every year in tribute to the master crooner. “My son, Nicholas, and daughter, Thea, sing and play White Christmas on the piano for everyone,” says Harry, who lives in New York.

Harry, 61, continues: “It’s funny, I used to cringe at the idea of playing my father’s music but not now. People really love it – it’s a sustainable thing.”

Nearly 80 years after its 1942 release, White Christmas remains the world’s ­biggest-selling single – a whopping 50 million copies globally. Unsurprisingly, it remains a staple of radio and in-store music playlists over the festive season.

Now it is back in the Top 10 after 40 years and on course for a Christmas Number One after a new album, Bing at Christmas, a remastered recording with the London Symphony Orchestra, was released last month.


And the family is making a concerted effort to keep Bing’s memory alive and ­introduce him to new audiences. To that end, they are in talks about a dramatization of his life, along the lines of hit series The Crown on Netflix.

Harry was just 19 when his famous father died aged 74 on a golf course in Spain. At the time, Harry had been performing with Bing and singer Rosemary Clooney, aunt of movie star George, on an international tour, which had started in Britain.

“We had played several shows at the Palladium in London and were due to tour Japan and Australia but Dad wasn’t feeling well,” recalls Harry, who had classical ­training in piano, composition and orchestration.

“He terminated the tour because he wasn’t feeling up for stuff, travelling for six months over the world.”

Father and son closed the tour in Brighton on October 10, 1977 – Dame Gracie Fields was there to see the show – then went their separate ways. It was the last time Harry would see his father alive.

“I had just turned 19 and I decided to go back to school. I applied to Rada (Royal Academy of Dramatic Art) and Lamda (London Academy of Music and Dramatic Art) to major in theatre and music but they were full up. The school year had started.

“I invited the dean of Lamda to come and see me perform at the Palladium with my dad. I sang a duet with Rosemary and I sang alone. Afterwards he said, ‘Start Monday!’

So I went to school during the day and ­performed with dad at night. I didn’t go out of my way to tell people who my dad was.

My objective was to ­assimilate as part of the group. But, of course, I couldn’t join them for a pint in the pub in the evenings because I was performing, plus Dad and I were living in an apartment in Mayfair.”


So Bing, who had been in generally good health according to his son, went to Spain on his own to play golf. Harry believes his father never ­recovered after falling off the stage seven months earlier at his 50th anniversary ­concert in California.

Having toppled 30 feet into the orchestra pit and ruptured a disc in his back, he spent a month in the hospital. In Spain, four days after their last concert, Bing collapsed and died of a massive heart attack at the end of his first day’s game of golf.

Harry, the only family member in Europe, had to fly home to California with his father’s body.

There his mother, Bing’s second wife, actress Kathryn Grant, now 86, his actress sister, Mary, and young brother Nathaniel, an amateur golfer, were waiting. After the funeral, Harry returned to Britain to ­continue his studies.

Harry Crosby says his father never pushed him into the music business.


“Certainly at that time I didn’t feel guilty that I wasn’t with him – you can’t change the outcome of things – but you grow up quickly when you lose a parent that young,” he says.

“Dad and I had a really strong ­relationship, both professionally and personally. As a father and a son, we were exceptionally close.”

Harry remains deeply saddened by ­comments made by his late half-brother, Gary – Bing’s eldest son from his first ­marriage to actress and nightclub singer, Dixie Lee – after their father’s death.

In a highly critical memoir, Going My Own Way, Gary depicted Bing as cruel, cold, remote, and physically and psychologically abusive.

But it is a description that Harry does not recognise. “I don’t know where it came from. I only know my own experience with my dad which was one of love, ­support, friendship and respect,” he says.

“My dad never pushed us into music or entertainment – we were exposed to it and I loved working together.


“We went fishing together and golfing and he was able to impart on us not just that we were loved but also the rules of the road – the way to behave. So I was sad to read those things.”

But there have been disputes between Bing’s two families dating back to Dixie’s death from cancer in 1952 when she left her share of their estate in trust to her sons.

Bing left his estate to Kathryn, and HLC Properties, Ltd was formed to manage his interests. In 1999, the families settled a ­dispute over the estates for a reported £1.2million. Now Harry and descendants of his half-siblings no longer see each other.

“It’s sad. I wish we did but we were raised in a different town and we never did see much of each other because of the age difference.

While Bing dedicated his life to singing –he didn’t play an instrument, apart from drums early on in his career – he also helped develop recording equipment so artists didn’t always have to perform live to ­preserve their voices.


After Bing’s death, Harry went into banking.

He studied business after a spell writing jingles for commercials but he maintains a passionate interest in music and he and his Croatian wife, Mihaela, support the performing arts Lincoln Center in New York.

These days, Harry plays at home for ­pleasure with Nicholas, 15, and Thea, 11, and loves the anonymity living in New York affords him.

“Mihaela is from Zagreb and her background is in microbiology,” he says.

“It was a joy she didn’t know who my father was,” laughs Harry.

“When we met, she said, ‘I love the fact your dad likes music, like you. Can I meet him?’”

The Crosby and Clooney families remain close although Harry hasn’t seen George for some time.

Now Harry is preparing to start his Christmas shopping, always a ­poignant moment because it means going into a mall where a certain song is always playing.

But while his younger sister Mary, says she found White Christmas heartbreaking to listen to after their father’s death, it’s always been a pleasure for Harry.


“It’s always wonderful to hear, it makes me feel good,” he says. “Mind you Little Drummer Boy is great, too.”

Bing recorded the latter as a duet with David Bowie in London a month before he died for a television ­special, Bing Crosby’s Merrie Olde Christmas, which was to be his last. It was broadcast posthumously on Christmas Eve 1977.

“They just banged it out. They were going to cover it as a duet and then it turned into a single,” says Harry.

“They barely rehearsed but they were both such pros and of course they had a lot of respect for each other.”

But if he had to choose one festive single to save from the waves on a desert island? “White Christmas. Absolutely. Game over"...

Friday, December 20, 2013

BING AND BARBARA WALTERS


The now famous Barbara Walters interview was conducted at Bing's San Francisco home in May, 1977, while he was recovering from a ruptured intervertebral disc suffered in a fall two months earlier following a concert commemorating his 50th anniversary in show business. His 17-year-old daughter, Mary, had already moved out of her parents' home into her own apartment and was contemplating moving in with her boyfriend, Eb Lottimer. Following her father's death, Mary and Lottimer did move in together and later married. Neither Mary's mother nor her two brothers attended the wedding. Mary and her husband divorced in 1989.

WALTERS: Suppose one of your sons came home and said, "Dad, I've got this girl and do you mind if we share a room here in the house?"

BING: In OUR house? No chance!

WALTERS: It happens in other families.

BING: Well, it wouldn't happen in MY family. If any one of them did that I wouldn't speak to them ever again.

WALTERS: Ever again?

BING: Ever again!

WALTERS: Do you mean that if one of your sons came home and said "I like this girl and I'm living with her and we're not married" you would never speak to him again?

BING: Aloha on the steel guitar.

WALTERS: That's awfully stern.

BING: Well, I was raised a Catholic. We believe in marriage.

WALTERS: And you'd rather he be married than maybe spend some time and found out what she was like?

BING: He doesn't have to take her to bed to find out what kind of woman he's marrying.

WALTERS: What would you do if Mary Frances, who is now 17, came to you at 19 or 20 and said "Dad, I'm having an affair. There's somebody I care about."?

BING: I'd say take your things and move where you're having the affair.

WALTERS: And you wouldn't talk to her or see her?

BING: No.

WALTERS: This daughter whom you adore?

BING: Yes.

Monday, December 9, 2013

MARY CARLISLE AT 100

I normally do not post videos on my blog anymore, but here is a fascinating interview with Mary Carlisle. She is now in the Motion Picture Retirement Home, but she is pretty amazing for 100...

Monday, May 13, 2013

INTERVIEW: DENISE CROSBY


Here is an excellent interview that was done with model, actress, and Bing Crosby's grand-daughter Denise Crosby...


Sometime in 1987 the talk amongst the lunch tables at my junior high school was, “Who is the cool new-wave chick inStar Trek: The Next Generation?” At the time we had a lot of interesting women to look up to in music, but this one was living in a future where a woman could be the head of security on a starship. The character was named Tasha Yar, and her backstory was even more inspiring. She was an orphan who had to scavenge for the bare necessities of life, escaped rape gangs, overcame a drug addiction, and through her bravery and determination made her way into a high-profile job aboard the Starship Enterprise. For a bunch of teenage girls facing an uncertain future ourselves, she was the ultimate heroine. Until she was killed by Armus, a malevolent life form made from the byproduct of human negativity and evil. Tragically, our heroine had become a memory contained in a hologram.

But Denise Crosby, the actor who made Tasha Yar legendary, lives on and continues to appear in films and on television as heroines in all sorts of universes. I met her recently at a Star Trek convention, where I saw her walking down the hallway with a small group of admirers. My opening line was one of pure fandom: “You’re awesome!” Surprisingly, we hit it off like old friends, discovering we grew up in the same neighborhood and had a deep affection for anything Fiorucci. As we spoke, the fandom subsided, and I became very much inspired by her legacy. A month later I found myself in her backyard discussing her career over coffee and cookies.


VICE: Being the granddaughter of Bing Crosby and the daughter of Dennis, you were born into the entertainment industry. Was there ever a time when you thought you would not go into showbiz?

Denise: Absolutely. In my youth I had that rebel spirit in me that didn’t want to do anything people assumed I would do. Instead I would purposefully go out and do the opposite. I moved away from home and out of Los Angeles as soon as I could. I loved journalism and wanted to be like Christiane Amanpour or Diane Sawyer. I knew I wanted to be on camera, but I wanted to do investigative reporting or work in the field, so I studied journalism and drama at a college in Santa Cruz. On a fluke I auditioned and got the part in the spring production of the school play, which put me in touch with a part of myself that I enjoyed but wasn’t ready to embrace. I took a year off and bummed around the world, scored a few modeling jobs in London and Paris. Eventually I came back home to my parents’ place in Los Angeles, and it was there that I was contacted by a casting agent who had seen some pictures of me in Playboy.

But before you became a sensation, you worked at a furniture shop on Melrose called Dodson’s, which went on to become famous because it was owned by the world’s most achieved bank robber, Eddie Dodson, a.k.a. the New York Yankees Bandit. How did that come to be?

I knew Eddie Dodson because he was the center of the party scene. He was a great friend and the most fun person to be around… probably because he was insane! There were a lot of drugs and always a lot of cocaine. Eventually Eddie gave me a job at his shop. I would rehearse scenes while working, and in my off time I would go on auditions. I worked there until I got a role in the film 48 Hrs.

Did you know Eddie was robbing banks in his spare time?

My goodness, no. But sometimes I would show up for work and he wouldn’t be there and the shop would be closed. By this time his drug use was so out of hand I figured he was passed out—but now I know he was either running from the cops or robbing a bank somewhere.

After 48 Hrs. you started getting regular work as an actor appearing in several TV movies and the awesome feature Eliminators, where you played a robotics engineer. Then, in 1987, you landed the part of Tasha Yar on Star Trek: The Next Generation. Throughout your career, you are often cast as strong hard-nosed characters—cops, detectives, security chiefs, stock-market executives—basically women who can handle themselves in tough situations. Why do you think that is?

I think a lot of it has to do with the fact that I’m tall and wear my hair short—in Hollywood they look at the physical first.


One of your best loved roles was on Star Trek: The Next Generation. Tell me about thet experience.

I think one of the reasons why Star Trek: The Next Generation continues to be influential is because of the roles the women played on the show. They were equal to the men, and in Tasha’s case the only man who could take over her job was a Klingon!

In my opinion the intentions were good, but they should have taken it even further—that was my main frustration with the show. I hate to burst your bubble, but it was the writers, not Gene Roddenberry, who were fighting to make the female characters more dynamic. There was a real friction with putting the women in power.

Is that why you left the show?

Sexism was involved, and although I understand it is an inherent part of the world, it is something we must continue to fight. You fall in love with what you do and at that point in my career, I was very passionate about acting. It wasn’t a rash decision to leave the show. I was continuously asking my coactors and the writers what the trajectory was. One day Gene Roddenberry told me, “This is the formula for Star Trek and it works. It is not going to change.” I was simply afraid of staying in that uniform for six more years while I was in the prime of my life. I had to take a risk.

What did you do after you left Star Trek?

I did a movie I really loved called Miracle Mile. I also did Pet Semetary, X Files, Southland, and I have a new show about to premiere on Showtime called Ray Donovan. I play a character named Deb who is an interior decorator and Elliott Gould’s mistress. Don’t get me wrong—I loved the Tasha Yar character. In hindsight I think she became more iconic by dying.

When we met what impressed me most about you was seeing you at my first Star Trek convention. It was late at night and the convention was technically closed, but you were sitting at a table full of fans laughing and talking.

Well I don’t see divides between people. At heart, we are all the same. Especially once you get rid of the autograph table...


SOURCE



Saturday, April 9, 2011

BING AND JOE FRANKLIN

Often called "Mr. Nostalgia", broadcaster Joe Franklin (born 1926) is an authority on anything from the old days of entertainment. From New York City, Franklin is sometimes credited with hosting the first television talk show. The show began in 1951 on WJZ-TV (later WABC-TV) and moved to WOR-TV (later WWOR-TV) from 1962 to 1993.

Known as "the king of nostalgia" (he claims having invented the term), Franklin's highly-rated television and radio shows, especially a cult favorite to cable television viewers (WOR/WWOR was a superstation during the latter part of his tenure) and his long-running "Memory Lane" radio programs, focused on old-time show-business personalities. Franklin has an encyclopedic knowledge of the music, musicians and singers, the Broadway stage shows, the films and entertainment stars of the first half of the 20th Century.

Joe began his entertainment career at 16 as a record picker for Martin Block's popular "Make Believe Ballroom" radio program; he is an acknowledged authority on silent film; he has the largest private sheet music collection in the world; and he has counted among his friends many show business legends, from Tony Curtis (with whom he grew up) to old vaudevillians (on his television show, Franklin has described how as a very young boy playing in Central Park he even met George M. Cohan).

Joe Franklin is also a huge fan of Bing Crosby, and he had the crooner on his television show a few times in the 1970s. Luckily the interviews survived, because they are a great piece of entertainment nostalgia...

Saturday, January 8, 2011

BING TALKS ABOUT ELVIS

Today would have been the 76th birthday of Elvis Presley. Although Elvis is dubbed the king of Rock n Roll, Bing is the king of popular music. Here is an interesting audio interview Bing did with his biographer Pete Martin in 1957, and they talk about Elvis Presley...

Monday, September 6, 2010

GARY GIDDINS INTERVIEW

Here is an interesting phone interview with Bing Crosby biographer Gary Giddins. He talks about the early days of Bing's fan in the 1920s with the Rhythm Boys and Paul Whiteman...

Friday, February 26, 2010

AL RINKER INTERVIEW

Here is an interview with Al Rinker, one of the Rhythm Boys. He talks about Bing and the Rhythm Boys. Al Rinker also was the brother of the great Mildred Bailey!
Al Rinker talks about Bing Crosby and the Rhythm Boys
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