Monday, October 14, 2024

BING: 47 YEARS LATER


It has been 47 years since Bing Crosby died now. I was three. Some people my age only know Bing as the Christmas carol singer if at all. Bing in my fifty years has meant so much more to me. Bing is what brought my Grandfather, and I together. Our love of music not only helped me to have a good relationship with my Grandfather, but it helped me to overcome a lot in my early years.

Bing to me represented a simpler time in the world. It was not neccessarily a better time, but a more laid back and relaxing time. 2024 is so busy and hectic, that I still listen to Bing to relax me. After a long day of work stress, nothing soothes me more than to listen to Bing Crosby on the way home. If more people listened to Bing that I think there would be a drop in anxiety, stress, and maybe even violence! 

In 2024, Bing Crosby still means the world to me. Yes Bing has been dead since 1977, but his memory is very much alive to me!

Saturday, October 12, 2024

Friday, September 27, 2024

BING'S DISCOGRAPHY: SEPTEMBER 27, 1929

 Here is what Bing was recording on this day in the early years of his career some 95 years ago...



Date: 9/27/29
Location: Union Square, New York, NY
Label: COLUMBIA (US)
INSTRUMENTAL GROUP


Bing Crosby (voc), Charles Margulis (tr), Chester (Chet) Hazlett (cl), Roy Bargy (pno), Matty Malneck (vln)

a. W149066-3 Can't We Be Friends? (Paul James, Kay Swift) - 2:59
PROPER RECORDS (UK) CDP1233 — BING CROSBY: IT'S EASY TO REMEMBER (The Rhythm Boy) (2001)

NAXOS (UK) CD8120697 — THE EARLIEST BING CROSBY Vol 2 Rhythm King 1927 - 1931 (2003)

b. W149067-3 Gay Love (Sidney Clare, Oscar Levant) - 3:00

Both titles on:
CBS SPECIAL PRODUCTS (US) (CBS) CDA2 201 A203 — THE BING CROSBY STORY Volume 1: The Early Jazz Years 1928-1932 Disc 2 (1990)
JONZO (UK) CDJZCD-07 — THE CHRONOLOGICAL BING CROSBY VOLUME 07 (1999)
COLLECTORS' CHOICE (US) CDCCM-216-2 — LOST COLUMBIA SIDES: 1928-1933 (CD2) (2001)


Saturday, September 21, 2024

REMEMBERING KATHRYN CROSBY (1933-2024)

Kathryn Crosby, a 1950s Hollywood starlet who gave up her film career to marry Bing Crosby, the Oscar-winning actor, radio star and mellifluous “White Christmas” crooner, and as his widow became chief protector of his legacy, died Sept. 20 at her home in Hillsborough, Calif. She was 90.

The death was announced in a statement by publicist B. Harlan Boll, who did not note a cause.

Throughout her childhood and adolescence, Kathryn Grant — as she was then known — dominated the Texas beauty contest circuit between Houston and Corpus Christi. A 5-foot-3, auburn-haired stunner, she was crowned “Golden Girl of the Texas Baseball League,” “Miss Buccaneer-Navy” (dressed in pirate motif) and “Queen of the Houston Rodeo and Fat Stock Exposition,” for which she was teased among rivals and friends alike as “Miss Fat Stock.”

She had met Crosby in 1953, a year after she was named first runner-up in the Miss Texas pageant and landed a Paramount studios contract. She was 20 at the time and was on the studio lot, breathlessly ferrying a load of petticoats to the wardrobe department, when she rushed past Crosby, then 50 and a recent widower. He was leaning against the doorjamb of his dressing room, casually whistling a tune.

"Howdy, Tex,” he asked with bemusement. “What’s your hurry?”


Crosby had been a box-office juggernaut on the lot for two decades, an audience favorite not only for his vaudeville-style “Road” movies with Bob Hope but also for his Oscar-winning turn as a singing priest in “Going My Way” (1944). In her spare time between walk-on roles, the starstruck young Kathryn filed dispatches for newspapers back home under the title “Texas Gal in Hollywood” and soon returned to Crosby to request an interview.

“You a reporter?” Crosby asked.

“I’m a columnist,” she said.

“The dickens you are,” he replied. “I didn’t know they came so pretty.”

Crosby agreed to the interview, then invited her to tea and later to dinner. She described an instant and mutual infatuation between herself and Crosby, who exuded a languorous sex appeal with his piercing blue eyes and the virile romantic baritone voice that had sold hundreds of millions of records, among them “Please” and “Pennies From Heaven.”

Their courtship lasted nearly four complicated years. Crosby disappeared from her life for months at a time and jilted her twice, only to emerge with reinvigorated ardor. As he pursued other on-set romances, including with actresses Grace Kelly and Inger Stevens, Kathryn was determined to focus on her own pursuit of stardom.

After being dropped by Paramount, she was picked up by Columbia studios and promoted as a versatile leading lady. She had a featured role as a card dealer in the anti-corruption drama “The Phenix City Story” (1955) and co-starred opposite Audie Murphy in the western “The Guns of Fort Petticoat,” Jack Lemmon in the military comedy “Operation Mad Ball” and Tony Curtis in the drama “Mister Cory,” all in 1957.

She was a princess in “The 7th Voyage of Sinbad” (1958), a trapeze artist in “The Big Circus” (1959) and, in perhaps her best performance, a surprise witness in “Anatomy of a Murder” (1959), holding her own in a cross-examination showdown with a slick attorney played by George C. Scott.

By the time Bing Crosby eloped with her to Las Vegas in 1957, Kathryn, a Methodist, had converted to Catholicism at his insistence but extracted a promise that she could continue her career after their marriage. But he soon reneged, preferring she stay at home as he wound down into semi-retirement and managed his many business interests and investments, ranging from baseball teams to thoroughbred horses to real estate.

She ultimately went along. Mrs. Crosby later said she wished to give her husband a life vastly different from his anguished and thoroughly dysfunctional first marriage, to actress Dixie Lee, whose alcoholism left him so despairing that he often stayed away from home, leaving her and his children to fend for themselves.

By the early 1960s, Bing and Kathryn had left Southern California and settled in a 24-room Norman-style mansion in Hillsborough, an upscale suburb of San Francisco. She had three children with Bing — including actress Mary Frances Crosby, whose character shot J.R. on the TV series “Dallas” — and spent five years completing a degree in registered nursing. She also was a public-school teacher, host of a morning TV talk show in San Francisco, and the author of a rosy 1967 memoir (“Bing and Other Things”).

She modeled clothes for designer Jean Louis, did occasional summer stock with Bing’s approval, accompanied her husband and children on bird-hunting and fishing expeditions and helped him manage his constellation of properties across the West and in Mexico. She vivaciously sang duets with Bing on TV specials, including his annual Christmas show, and appeared with their children in Minute Maid frozen orange juice commercials, a product Bing endorsed.

As a more contented spouse and father, Bing spent a great deal more time with his second family than he had with his first, Mrs. Crosby said. Nevertheless, she said, he could be a controlling and mercurial perfectionist at home, even as he tried to live up to the laid-back Mr. Lucky persona he had long cultivated — the charming and carefree all-American fellow who just happened to have a voice of peerless emotional resonance.

“He doesn’t exactly lose his temper in the traditional way,” Mrs. Crosby told an interviewer. “He just gets very quiet. That’s when I start wondering what I’ve done. You see, Bing will never say what is bothering him.”


With her nursing credentials, she looked closely after Bing’s well-being amid health setbacks, including after he plummeted 20 feet from a sound stage in March 1977 while rehearsing a TV show, seriously injuring his back. “She really took care of him,” said jazz critic Gary Giddins, an authoritative Bing biographer. Because she was emotionally stable and the family disciplinarian, he added, “She also allowed him to be the kind of father he had not been in the first marriage.”

In October 1977, he was on a golfing trip in Spain with friends when he died suddenly, at age 74 after a heart attack, just after completing a round of play.

Mrs. Crosby gradually restarted her acting career, mostly with touring theater companies and also in a cabaret act that paid tribute to Bing.

To tell her own story, Mrs. Crosby wrote “My Life With Bing” (1983) and “My Last Years with Bing” (2002). Of all the roles she would play — on screen and stage and in private life — she said there was one that made all the others possible. “I want you to understand,” she once told People magazine, “that my position in this world rests on being Mrs. Bing Crosby.”




Sunday, September 8, 2024

NEWSPAPER CLIPPINGS: BING MELLOW AS EVER

 Here is an interesting clipping from August 11, 1974 - when Bing missed a performance because of surgery...



Sunday, August 18, 2024

BING ON REDDIT


I am not an avid reader to Reddit, but it is an online forum for questions and comments. I found a thread regarding what people think of Bing. Here's a few interesting comments...



Sunday, August 4, 2024

BING AND WOODBURY SOAP

Here is a great vintage ad that Bing did for Woodbury Soap. Woodbury Soap was Bing's sponsor from 1933 to 1935...




Sunday, July 28, 2024

BING'S GOLD RECORDS

Here is a some reference informtation on all of Bing's gold records...


BING'S GOLD RECORDS:
1937: Sweet Leilani
1941: San Antonio Rose
1942: White Christmas
1942: Silent Night
1943: I'll be Home for Christmas
1943: Sunday, Monday or Always
1943: Pistol Packin Mama (w Andrews Sisters)
1943: Jingle Bells (w Andrews Sisters)
1944: Swinging on a Star
1944: Too-Ra-Loo-Ra-Loo-Ra
1944: Don't Fence Me In (w Andrews Sisters)
1945: I Can't Begin to Tell You
1946: McNamara's Band
1946: South America, Take it Away (w Andrews Sisters)
1947: Alexander's Ragtime Band (w Al Jolson)
1947: Whiffenpoof Song
1948: Now is the Hour
1949: Galway Bay
1949: Dear Hearts and Gentle People
1950: Sam's Song / Play a Simple Melody (w Gary Crosby)
1956: True Love (w Grace Kelly)
1956: High Society soundtrack
1970: Merry Christmas (an album anthology)
1977: Seasons (Bing's last album went gold in England)



Sunday, July 14, 2024

OSCAR FLASHBACK - 1944

World War II was still raging in May 1944. The allied invasion of Normandy — aka D-Day — was just around the corner on June 6th. Americans kept the home fires burning and escaped from the global conflict by going to the movies. Two of the biggest films of the year, Leo McCarey’s “Going My Way” and George Cukor’s “Gaslight,” recently celebrated their 80th anniversaries.

Actually, “Going My Way” had a special “Fighting Front” premiere on April 27th: 65 prints were shipped to battle fronts and shown “from Alaska to Italy, and from England to the jungles of Burma.” The sentimental comedy-drama-musical arrived in New York on May 3rd.

And it was just the uplifting film audiences needed. Bing Crosby starred as Father O’Malley, a laid-back young priest who arrives at a debt-ridden New York City church that is run by the older, set-in-his ways Father Fitzgibbon (Barry Fitzgerald). The elder priest initially isn’t happy with O’Malley’s newfangled ways, but soon he and the rest of the parish realize O’Malley is someone special.

Though not specifically a musical, Crosby does sing the title tune as well as “Too-Ra-Loo-Ra-Loo-Ral,” “The Day After Tomorrow” and duets on “Ava Marie” with his co-star, Metropolitan Opera soprano Rise Stevens. The fun “Swinging on a Star” by Jimmy Van Heusen and Johnny Burke, which Crosby sings with Robert Mitchell Boy Choir, became a huge hit for Crosby. The ending was a real four-hankie weepie moment as O’Malley reunites Fitzgibbon with his elderly mother.

The New York Times’ Bosley Crother was besotted with “Going My Way” calling it a “tonic delight,” adding that Crosby “is giving the best show of his career” …” he has been beautifully presented by Mr. McCarey.” The top box office attraction of 1944, “Going My Way” turned Crosby into the No. 1 box office star and proved he was more than comedic actor playing “pat-a-cake” with Bob Hope in the popular “Road” films.

“Going My Way” had strong competition at the Academy Awards most notably from Billy Wilder’s crackling film noir “Double Indemnity,” which earned seven nominations. But “Going My Way” won by a knockout leaving “Double Indemnity” in the dust. “Going My Way” earned seven Oscars including best film, director, song, actor for Crosby and supporting actor for Fitzgerald. And for the first and only time in Oscar history, Fitzgerald was also nominated for best actor.

Crosby would be the first actor to earn an Oscar nomination for reprising a role. The following year, he returned to the Academy Awards’ race in the beloved sequel “The Bells of St. Mary’s,” which earned eight Oscar nominations winning for best recording. Ironically, Wilder’s dark “The Lost Weekend” was the big winner at the 1946 ceremony...



Sunday, June 30, 2024

A LETTER FROM BING: FEBRUARY 28, 1945

In recent years, letters from Bing to soldiers fighting in World War II have been discovered, and it shows what a caring man Bing was. The war and the plight of these brave men affected Bing greatly...